Amateurs, Autodidacts, and the First Decade of Classical Guitar-Making in Britain

I have recently had an article on the early history of classical guitar-making in Britain published in the Journal of the American Musical Instrument Society (JAMIS). The journal is available to purchase in hard copy from the American Musical Instrument Society and a ‘post-print’ version (peer-reviewed but without the journal layout and page numbering) is available to download from the University of Lincoln’s research repository.

Download the article.

I welcome any comments on the article, which has, among other things, occupied me for over two years. It’s the first of several articles related to the knowledge, education and training of classical guitar-makers that I am working towards. The abstract and brief profiles of some of the people I discuss are summarised below.

“This article explores the first decade of classical guitar-making in Britain (1948 – 1957) and discusses the efforts of amateurs and autodidacts in the recovery, codification and instruction of craft knowledge and skills. The research for this article draws on two sources of primary data: guitar magazines and the first three attempts in the English language to codify the practical knowledge of classical guitar-making into instructional texts. I begin by identifying the instrument in its historical context. Next, I present biographical summaries of key advocates and outline the work of the first luthiers. I then discuss the Do-It-Yourself texts and argue that classical guitar-making at that time gradually gained cultural legitimacy through the efforts of autodidacts who established the requisite knowledge and skills that were later adopted and validated by educational institutions.”