Performativity and the peculiar commodity of labour power

Man with his ventriloquist dummy c1870
Man with his ventriloquist dummy c1870

 

At a doctoral research seminar last week, we discussed Stephen J. Ball’s (2003) article, The teacher’s soul and the terrors of performativity. This is a highly cited article and one in series of articles Ball has written about ‘performativity’. Below are my notes and an attempt to re-articulate points of Ball’s argument using Marx’s critical analysis of labour, which I think offers a complementary and often preferable method of understanding the ‘teacher’s soul’. I propose three ways of understanding performativity, which I only touch on here, but will return to another time.

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‘Performativity’, according to Ball, is one of three “policy technologies” of education reform, the other two being ‘the markets’ and ‘managerialism’.

Performativity is

“a technology, a culture and a mode of regulation that employs judgements, comparisons and displays as means of incentive, control, attrition and change – based on rewards and sanctions (both material and symbolic). The performances (of individual subjects or organisations) serve as measures of productivity or output, or displays of ‘quality’, or ‘moments’ of promotion or inspection. As such they stand for, encapsulate or represent the worth, quality or value of an individual or organisation within a field of judgement. The issue of who controls the field of judgement is crucial.” (216)

These technologies of reform are “unstable, uneven but apparently unstoppable”.  They are becoming “embedded in the ‘assumptive worlds’ of many academic educators”. They change what we do and who we are. This reform has created “institutional schizophrenia”, characterised by a “devolved environment”, managed through “monitoring systems and the production of information”. These technologies

“are not simply vehicles for the technical and structural change of organisations but are also mechanisms for reforming teachers (scholars and researchers) and for changing what is means to be a teacher, the technologies of reform produce new kinds of teacher subjects.” (217)

In this “advanced liberal” environment , de-regulation is a process of re-regulation, de-control is a new form of control, a less visible state regulates through the self-regulation of new subjectivities: “enterprising subjects” who “live an existence of calculation” and undertake “intensive work on the self”.

“To be relevant, up-to-date, one needs to talk about oneself and others, and think about actions and relationships in new ways. New roles and subjectivities are produced as teachers are re-worked as producers/providers, educational entrepreneurs and managers and are subject to regular appraisal and review and performance comparisons. We learn to talk about ourselves and the relationships, purposes and motivations in these new ways. The new vocabulary of performance renders old ways of thinking and relating dated or redundant or even obstructive.” (218)

This “form of ventriloquism” is surveilled by “appraisal systems, target-setting, output comparisons”, etc. and leads to “security seeking tactics”, “existential anxiety and dread”. The “neo-liberal professional” performs within and as part of a regulatory environment where “value replaces values.”  It is an “inauthentic”, “contradictory” existence that is “ontologically insecure”. The teacher’s “purposes are made contradictory, motivations become blurred and self worth is uncertain.” The schizophrenia of the institutions leads to “a kind of values schizophrenia” with “a potential ‘splitting’ between the teacher’s own judgements about ‘good practice’ and student ‘needs’ and the rigours of performance.”

“This structural and individual schizophrenia of values and purposes, and the potential for inauthenticity and meaninglessness is increasingly an everyday experience for all. The activities of the new technical intelligentsia, of management, drive performativity into the day-to-day practices of teachers and into the social relations between teachers. They make management, ubiquitous, invisible, inescapable – part of and embedded in everything we do. Increasingly, we choose and judge our actions and they are judged by others on the basis of their contribution to organizational performance, rendered in terms of measurable outputs. Beliefs are no longer important – it is output that counts. Beliefs are part of an older, increasingly displaced discourse.” (223)

It leads to “guilt, uncertainty, instability and the emergence of a new subjectivity”. It leads to struggles that “are often internalised and set the care of the self against the duty to others.”  “Performance has no room for caring… these are things we do to ourselves and to others.”

Performativity is characterised by ventriloquism, schizophrenia and a “fabrication” both of the organisation and the individual. “Truthfulness is not the point – the point is their effectiveness” and its measure. The transformation of the organisation into an “auditable commodity” is a “game” which reproduces a “recognisable rationality which is underpinned by ‘robust procedures’, punctuated by ‘best practice’, and always ‘improving’, always looking for ‘what works’.” The organisational game involves fabricating “transparency”, through “creative accountancy” and outright “cheating”. This transparency, which is intended to reveal more of the “auditable commodity” (i.e. the organisation), “may actually result in making it more opaque, as representational artefacts are increasingly constructed with great deliberation and sophistication.”  Thus, the “educational project” (i.e. the commodity) is “left empty”.  “Effectivity rather than honesty is most valued in a performative regime.”

Ball (following Lyotard) concludes by arguing that by being commodified, knowledge is “exteriorised” and consequently “de-socialised”.  As a result, teachers are struggling with and against the effects of commodification, which

“involves a profound shift in the nature of the relationship between workers and their work – ‘service’ commitments no longer have value or meaning and professional judgement is subordinated to the requirements of performativity and marketing”. (226)

It results in a “corrosion of character” where

“The policy technologies of market, management and performativity leave no space of an autonomous or collective ethical self. These technologies have potentially profound consequences for the nature of teaching and learning and for the inner-life of the teacher.” (226)

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In my view, what Ball describes in this rich polemical essay, is capitalist work as “a form of living death”. (Dinerstein and Neary, 2002, 11) The importance for me of his article is that it eloquently extends the vocabulary that I have used to describe my own work to my family, friends and colleagues: “Schizophrenic”; “intensive work on the self”;  “de-control as a new form of control”; “an existence of calculation”; “purposes are made contradictory, motivations become blurred and self worth is uncertain.” These are all words or re-articulated versions of phrases I have used to refer to my own working life. My own life. The value of Ball’s article is an assurance that I am not alone, yet as a form of living death, I now see we are in hell together.

Yet, this is not hell and I am not dying. Ball’s article describes, and to some extent, analyses capitalist work as it appears in universities, colleges and schools. What appears is a performance of what is experienced, what is felt, and retold by teachers quoted in his article, but it is insufficient as an explanation for what actually ‘lies behind’ the performance and keeps it running. Is it really an unstoppable “epidemic” of reform ideas “‘carried’ by powerful agents, like the World Bank and the OECD”?  I think Ball is right to refer to the World Bank and OECD as ‘agents’ that are carrying out reform. However, what his article doesn’t analyse for us is the performative nature of those agents. Who are they agents for? What are they agents of? What is their role in the “game”? In fact, what is this “improvement game”?

We have to look elsewhere for a more satisfying analysis, whereupon I think we can understand performativity in three ways:

  1. Performativity as the appearance of something else
  2. Performativity as the embodiment of something else
  3. Performativity as having become something else

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“To prevent possible misunderstanding, a word. I paint the capitalist and the landlord in no sense couleur de rose [i.e., seen through rose-tinted glasses]. But here individuals are dealt with only in so far as they are the personifications of economic categories, embodiments of particular class-relations and class-interests. My standpoint, from which the evolution of the economic formation of society is viewed as a process of natural history, can less than any other make the individual responsible for relations whose creature he socially remains, however much he may subjectively raise himself above them.” (Marx, 1867, Preface to Capital)

When Marx wrote this Preface to Capital, he added this paragraph so as to make very clear that reference to individuals should be understood as personifications of economic categories. This is not a matter of style, but is essential to his historical materialist method. Thus, the “capitalist” and the “worker” are personifications of the relationship between the category of ‘capital’ and that of ‘labour’.

The problem with Ball’s article, despite all its descriptive and emotive power,  is that his analysis in this paper does not extend to a discussion of the economic categories which have set the “unstoppable” technologies of reform in motion, and the “agents” are reified as the World Bank and OECD, rather than being understood themselves as personifications of capital. He does not recognise that the capitalists are in fact personifications of capital and that the “assumptive world” of “new kinds of teacher subjects” and their subjectivities, is the world and subjectivity of capital. No wonder that in this “advanced liberal” world, “value replaces values.” Lift the lid of the World Bank and look inside at all the capitalists: individuals, who are themselves simply performing their role.

If this really is “apparently unstoppable” as Ball states, we have to uncover the “determinate logic” (Postone, 1993, 285) behind this “game” or else live with the helplessness (Postone, 2006 [PDF]) instilled by Ball’s essay: truly, a form of living death. The heart still beats, but the mind and body are capital’s host.

Marx makes frequent reference to the language of performativity when critiquing political economy. 1 We learn of “masks“, “personifications” and “dramatis personae“, of which the key characters are the capitalist and the worker, each of whom perform a role in capital’s “self-valorisation of value“. These references to performativity are not simply a matter of literary flourish but relate to Marx’s scientific method of critique, which aims to distinguish between the appearance of things in their concrete form and their real nature as abstract categories that dominate us.

As Ball rightly argues, education has become a commodity, but we know from Marx that the commodity form is a fetish; it is a form of wealth presented to us through the capitalist mode of production and so to understand how education appears as a commodity we must analyse the “hidden abode of production”. (Capital, Vol. 1)

The important point for us here is that while the commodity is the “economic cell form” of capitalist society, from which everything else should be analysed, there is a special, “peculiar” commodity: that of labour power. It is special because, Marx argues, it is “a source of value”, the only commodity that can create new value for the capitalist either by extending time (i.e. lengthening the working day – which has its natural limits) or by compressing time i.e. increasing the productivity of labour through various methods of efficiency.

It is this, I would argue, that is key to understanding what lies behind Ball’s observations around the performativity of labour in education. In their performativity, teachers are enacting and gradually embodying what, in the end, amount to intended efficiencies that derive greater value their labour power. Capital’s imperative to create value from labour is at the heart of this performance. 2

To press this further, the “schizophrenia” of performativity that Ball describes can be understood as an acute manifestation of capital’s myriad of commodity forms. Reflecting on the “terror” of this ‘madness’, we see that capital is personified simultaneously by the institution and its teacher. Labour finally recognises itself as what it can only be: a form of capital, the substance value. 3 Do not confuse this with the liberal category of ‘human capital’, since this conversion of labour power into capital, is, as Ball recognises, de-humanising, evident in the “inauthentic”, “contradictory” and “ontologically insecure” existence of teachers. Capital in human form is a different thing altogether.

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I will end, for now, with a quote from Rikowski (2003), whose important article, Alien Life: Marx and the Future of the Human, 4 is a counter to the helplessness instilled by Ball’s account of performativity. Like Ball, Rikowski also studies education, but goes much further in analysing why “value replaces values” and provides a theoretical framework based on Marx for teachers to face their terrors and reclaim their soul.

“On the basis of Marx’s definition of labour-power, we can define labour- power as including not just ‘skills’ and knowledge, the foundation of much mainstream education research. It also incorporates the attitudes and personality traits essential for effective performance within the labour process. It depends, therefore, on what is included within ‘mental capabilities’. Empirical research on the recruitment process, where employers assess labour-powers, suggests ‘mental capabilities’ must include work attitudes, social attitudes and personality traits – aspects of our ‘personalities’. These, too, are incorporated within labour-power as it transforms itself into labour.

In contemporary capitalist society, education and training are elements within definite forms of labour-power’s social production. Empirically, these forms show wide variation. The significant point is that the substance of the social universe of capital (value) rests upon our labour, which in turn hinges on labour-power being transformed into labour in the labour process for the production of (im/material) commodities which incorporate value in its ‘cell form’. Labour-power (its formation and quality), rests (though not exclusively) upon education and training in contemporary capitalism. This is the real significance of education and training in capitalism today. What constitutes ‘capitalist’ schooling and training as precisely capitalist is that it is implicated in generating the substance of the social universe of capital: value. We have come full circle. It appears that we are trapped within a labyrinth bounded by the margins of capital’s universe. Thus, it seems that, to destroy this social universe for human liberation, it must be imploded. The best place to begin this project is with a critique of the strange, living commodity, labour-power.” (144-145)

Love is…

Yesterday, I attended the funeral of a close friend of my family. As part of the service, a shortened version of the following was read out, which I found especially moving.

“Love is a temporary madness. It erupts like an earthquake and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have become so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not the desire to mate every second minute of the day, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don’t blush, I am telling you some truths. That is just being “in love” which any of us can convince ourselves we are. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Your mother and I had it, we had roots that grew towards each other underground, and when all the pretty blossoms had fallen from our branches we found that we were one tree and not two.”

From Captain Corelli’s Mandolin

Social Science Imagination: Co-operation and education / week one reflections

I am a member of the Social Science Centre, Lincoln, and in this term’s Social Science Imagination course, we are focusing on ‘co-operation and education‘. Gary Saunders and I wrote up an account of last week’s class, which we facilitated. Each week, SSC scholars are asked to produce a reflective piece of work (just 300w or so, or a poem, drawing, whatever) so as to think about what they got out of the previous week and then bring it to class to discuss.

Below is my 300w or so reflecting on last week’s reading and discussion. The class was based around our reading of the SSC’s ‘about‘ page and the ICA’s ‘Co-operative identity, values and principles‘ statement.

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It’s been a while since I have read through the general statement about the SSC (FAQ), a document I helped author over three years ago. It was written both as a response to changes in HE at the time (and that continue), as well as setting out in an aspirational way, something we wanted to create. We wrote it in a style that suggested it was already happening, that it was real, when it was in fact only real in our imaginations. In that sense, it was utopian and from the responses we’ve had from people over the years, I think it helped them imagine something different, too.  With that in mind, I was pleased to read the current version of the statement 5 and to see how close we have come to realising that utopia. We are not entirely there yet, and over the years, through praxis, we have redefined our objectives, or rather, the emphasis of those objectives has shifted at times, while remaining clear about our motivation and purpose. I still aspire to what we set out in that statement and may always be striving to realise it fully, but the process is as important as the goal and I realise now, after three years, that the SSC is part of me. I cannot imagine not working towards this utopia.

Last week’s class and in fact the whole SSI course this term is intended to regenerate and revitalise this critical, utopian process and project, creating critical space to reflect on, discuss and question our utopian, revolutionary idea of what higher education might be. Could be.

The ICA statement was chosen to help initiate this critical, dialogical process. It is a carefully worded statement that unites millions of people around the world in the co-operative movement. We have to read it as such and draw out the key terms and ideas that are embedded in this historical text. It is a set of guidelines, rather than a legal definition. It is a compass, rather than a prison we are bound to. What can we learn from it? How can the themes of autonomy, democracy, solidarity, equality, common ownership, and sustainability, etc. become critical tools that help us reflect on ourselves and our own utopian ideas for co-operative higher education?

Co-operatives, socialism and communism: Marx’s Critique of the Gotha Programme

“What we have to deal with here is a communist society, not as it has developed on its own foundations, but, on the contrary, just as it emerges from capitalist society; which is thus in every respect, economically, morally, and intellectually, still stamped with the birthmarks of the old society from whose womb it emerges.”

Below are some notes on Marx’s Critique of the Gotha Programme (1875), focusing on what it says about co-operatives as a transitional form of production to post-capitalism: communism. I’m trying to get to grips with the text so as to better situate the potential of (worker) co-operatives as a transitional form of organising production and services which provide the experimental basis of a post-capitalist mode of production and the subsequent subjectivities, epistemologies, etc. that the emergence of post-capitalism (‘communism’) will give rise to.

In reading commentary elsewhere, there’s a tendency for some people to dismiss the revolutionary potential of worker co-operatives, arguing that they inevitably become disciplined, subsumed and converted by capital. There is certainly empirical evidence for this, but I think such a view is missing an important point which Marx’s Critique makes clear: Capitalism is a necessary historical condition for the mode of production that succeeds it (communism). Though worker coops might fail to maintain their radical objectives of democratic control over the means of production, they can be understood as prefigurative projects that have developed out of the historical and material conditions of capitalism. Worker coops are a dialectical response to capitalism and everything we understand about that historical mode of production. As Marx said, they “attack the groundwork” of capitalism, but they are not its negation. No single organisational form is. Furthermore, the transition to post-capitalism is inevitably gradual since the mode of production, according to Marx’s tradition of historical materialism, also ‘produces’ who we are and how we think. In that sense, we are capitalism. Several hundred years of being conditioned by capitalism cannot be rejected or put aside during a brief revolutionary uprising or indeed the constitution of a co-operative.

In some respects, attributes of communism are already here: the production of ‘free software‘ is a good example, I think. There are many examples of collective efforts to practice new forms of social relations that are not mediated directly by the capitalist production of value. The Social Science Centre, in which I am involved, is one of them. Of course, these are made possible, in part, because its members subsist through capitalist work elsewhere, but such efforts are experiments for exploring the possibilities of new forms of social relations. They are often transient, but collectively and gradually, have a pedagogical purpose in exploring the possibilities of alternative historical, material conditions and therefore new forms of subjectivity, knowledge and culture. Individually, I don’t think we should expect too much of them but rather engage them in critique as Marx was doing with the Gotha Programme . Collectively and over time, they are exploring and developing the conditions for a post-capitalist mode of production and social relations. To use Marx’s metaphor, they are a form of midwifery for a new mode of production to emerge from the “womb” of capitalism.

Another observation I had when reading the text is that Marx is relentless and steadfast in adhering to his scientific critique of capitalism. There are to be no compromises and much of his Critique of the Gotha Programme is an attack on the development of state socialism because he knew it could only be another form of liberal capitalism. For anyone to maintain Marx’s critical integrity is very difficult, not only to comprehend in the first place, but to commit to against popular (liberal) criticism , the seduction of capitalism, and what may appear to be the good intentions of the Left which are, in fact, only operating at the level of appearances, rather than social, scientific substance.

Section One

The Critique is a late text by Marx, which he described as “marginal notes” on the draft programme of the United Workers’ Party of Germany.  It is a scathing, short text, showing little regard for the version of socialism that the Gotha Programme outlines. It is regarded as one of the key documents where he described characteristics of a future post-capitalist mode of production: communism. On a number of occasions, he also discusses the role of co-operatives in the gradual transition from capitalism to communism.

In the text, it is clear that the capitalist mode of production is a necessary pre-condition for the communist mode of production. Marx states that “in present capitalist society the material, etc., conditions have at last been created which enable and compel the workers to lift this social curse.” In this respect, capitalism is both a curse and a force that develops the potential, unique in history, for self-determination.

What distinguishes the two modes of capitalist and communist production?

From Marx’s body of work, we can say that the capitalist mode of production has the primary purpose of creating value (‘wealth’) and it is a result of this imperative that ‘culture’ and other aspects of social life appear. It is a social, ‘co-operative‘ mode of production where labour power is employed to produce products/services (‘commodities’) for the purpose of exchange rather than direct use by the workers. The products are bought to be used by other workers (in their role as ‘consumers’), who likewise produce products/services for the purpose of exchange, and so on.

In this mode of production, the labour of an individual is not direct labour (Marx refers to it as ‘indirect’) that results in the exchange of another product of labour of equal value. In the capitalist mode of production, where workers do not own and control the means of production in common, they must negotiate the value of their labour power with the owners of the means of production (‘capitalists’), whose role and imperative it is to create additional, surplus value out of the labour power of the worker. Since the worker does not receive a wage that is equal in value to the value of their labour power, the money  they exchange (as an concrete representation of the abstraction of ‘value’) for the product of others is not a direct (i.e. equivalent) abstraction of the true value of their labour power in exchange for the true value of another worker’s labour power. Both workers have been paid less than the true value of their labour power and therefore the exchange value of the transaction does not equate to the use value of the worker’s labour power as a commodity itself.

To try to offer a simplified example:

Bob, who produces chairs is paid £10 for one hour’s work which his employer anticipates is worth £20 to them upon exchange of the chair that Bob produces. In this case, Bob’s labour power is actually worth £20 (the price of the product will be higher still) but is forcibly undersold to the employer who is under constant pressure to realise a surplus for a number of reasons, one of which is to re-invest surplus capital in new methods of production so as to remain competitive in the marketplace. Likewise, Bob sells his labour in a competitive labour market and is under constant pressure to identify the full value of his labour power so as to sell it at the highest price.

Likewise, Alice, who produces coats, is paid £5 an hour and her employer calculates that her labour power is actually worth £15 to them. Like Bob’s chairs, the final price of the coat is much higher and takes into account all other costs involved in production as well as the need to realise an overall surplus. A reliable income of surplus value can be achieved by her employer if Alice and her co-workers are consistently paid less than the true value of their labour power.

When Bob buys one of Alice’s coats, he uses some of the money from his wage. The money (cash or electronic) is the concrete result of the abstract exchange of value which takes place between Bob and his employer. Bob transfers that value to Alice’s employer, who has also undertaken an exchange of money for her labour power.  In Bob’s purchase of Alice’s product, the relationship between all four parties can be described like this:

Bob’s employer pays Bob for his labour power, who pays Alice’s employer for the coat, who pays Alice for her labour power.

However, the relationship between Bob and Alice, who may live on opposite sides of the world, is not direct, not because they don’t physically hand over the coat for money or barter chairs for coats, but because Bob and Alice’s employers have intervened in the exchange by under-valuing the true value of their labour power.

As such, labour power is no longer being exchanged as an equivalent, but rather the product of labour power, the commodity is exchanged as an equivalent. There is, what we might call a ‘corruption’ in what could be, under a different (proto-communist) mode of production, an exchange of equal values measured by the equal standard of labour rather than the equal value of the commodity. As such Alice’s labour power would be a direct equivalent of Bob’s labour power.

“…the same principle prevails as in the exchange of commodity equivalents: a given amount of labor in one form is exchanged for an equal amount of labor in another form.”

In this transitional phase from capitalism to communism, the remnant of equivalence still remains from the capitalist mode of production, but it is an equivalence not mediated by capital but by labour which owns the means of production. An individual firm operating in this way is simply a situation where “workers are their own capitalists” and remain subject to the forces of the competitive markets. However this changes when the majority of enterprises in society are run as producer co-operatives.

“Within the co-operative society based on common ownership of the means of production, the producers do not exchange their products; just as little does the labor employed on the products appear here as the value of these products, as a material quality possessed by them, since now, in contrast to capitalist society, individual labor no longer exists in an indirect fashion but directly as a component part of total labor.”

In his Critique, Marx recognises that a new mode of production cannot develop apart from the existing mode of production, nor will it occur suddenly. Communism emerges slowly from the “womb” of capitalism.

“What we have to deal with here is a communist society, not as it has developed on its own foundations, but, on the contrary, just as it emerges from capitalist society; which is thus in every respect, economically, morally, and intellectually, still stamped with the birthmarks of the old society from whose womb it emerges.”

Recognising this transition, Marx offers some examples of what intermediary changes might take place prior to the establishing of full communism.

“Accordingly, the individual producer receives back from society — after the deductions have been made — exactly what he gives to it. What he has given to it is his individual quantum of labor. For example, the social working day consists of the sum of the individual hours of work; the individual labor time of the individual producer is the part of the social working day contributed by him, his share in it. He receives a certificate from society that he has furnished such-and-such an amount of labor (after deducting his labor for the common funds); and with this certificate, he draws from the social stock of means of consumption as much as the same amount of labor cost. The same amount of labor which he has given to society in one form, he receives back in another.

Here, obviously, the same principle prevails as that which regulates the exchange of commodities, as far as this is exchange of equal values. Content and form are changed, because under the altered circumstances no one can give anything except his labor, and because, on the other hand, nothing can pass to the ownership of individuals, except individual means of consumption.

But as far as the distribution of the latter among the individual producers is concerned, the same principle prevails as in the exchange of commodity equivalents: a given amount of labor in one form is exchanged for an equal amount of labor in another form”

The “deductions” Marx refers to can be generally understood as contributions (taxes) to administration, public services and welfare. In the transition from capitalism to communism, he sees some of those contributions diminishing and some increasing:

“First, the general costs of administration not belonging to production. This part will, from the outset, be very considerably restricted in comparison with present-day society, and it diminishes in proportion as the new society develops. Second, that which is intended for the common satisfaction of needs, such as schools, health services, etc. From the outset, this part grows considerably in comparison with present-day society, and it grows in proportion as the new society develops. Third, funds for those unable to work, etc., in short, for what is included under so-called official poor relief today.”

As I understand it, in such a society, there would be no need for the products of this mode of production to be held privately, because no-one is attempting to undercut the value of labour power in order to create a private surplus of value. All such goods and services would effectively be owned in common by individual workers and what we think of as ‘exchange’ would be recognised not as an act of transferring value, but merely as an exercise in administration and planning so as to avoid scarcity. In effect, exchange as understood under the capitalist mode of production would be abolished and labour would exist “directly as a component part of total labour.” Marx calls this ‘direct’ mode of production, communism. Arguably, this is already in practice among ‘free software‘ developers.

It is fundamental to Marx’s historical materialist method of analysis and critical theory that we understand that the specific historical mode of production gives rise to culture and therefore is the basis of human ideas. In a transition from one mode of production to another, people will assume existing principles hold true despite growing evidence of their contradictory nature. Discussing the equivalence of labour power, Marx identifies the principle of “equal right” as such a principle that will initially remain:

“Hence, equal right here is still in principle — bourgeois right, although principle and practice are no longer at loggerheads, while the exchange of equivalents in commodity exchange exists only on the average and not in the individual case.”

Marx sees the principle of “equal right” as a “bourgeois limitation” that will gradually be stigmatized. He sees this as an inevitable defect in the “first phase of communist society”

“Right can never be higher than the economic structure of society and its cultural development conditioned thereby.”

In this transitional phase, “the right of the producers is proportional to the labor they supply; the equality consists in the fact that measurement is made with an equal standard, labor.” Here, Marx explains why the idea of equality is a bourgeois concept: Individuals are different but under the capitalist mode of production we are regarded fundamentally as equivalent workers. A communist society would recognise and compensate inherent ‘inequalities’.

“But one man is superior to another physically, or mentally, and supplies more labor in the same time, or can labor for a longer time; and labor, to serve as a measure, must be defined by its duration or intensity, otherwise it ceases to be a standard of measurement. This equal right is an unequal right for unequal labor. It recognizes no class differences, because everyone is only a worker like everyone else; but it tacitly recognizes unequal individual endowment, and thus productive capacity, as a natural privilege. It is, therefore, a right of inequality, in its content, like every right. Right, by its very nature, can consist only in the application of an equal standard; but unequal individuals (and they would not be different individuals if they were not unequal) are measurable only by an equal standard insofar as they are brought under an equal point of view, are taken from one definite side only — for instance, in the present case, are regarded only as workers and nothing more is seen in them, everything else being ignored. Further, one worker is married, another is not; one has more children than another, and so on and so forth. Thus, with an equal performance of labor, and hence an equal in the social consumption fund, one will in fact receive more than another, one will be richer than another, and so on. To avoid all these defects, right, instead of being equal, would have to be unequal… In a higher phase of communist society, after the enslaving subordination of the individual to the division of labor, and therewith also the antithesis between mental and physical labor, has vanished; after labor has become not only a means of life but life’s prime want; after the productive forces have also increased with the all-around development of the individual, and all the springs of co-operative wealth flow more abundantly — only then can the narrow horizon of bourgeois right be crossed in its entirety and society inscribe on its banners: From each according to his ability, to each according to his needs!”

In the same way, Marx attacks the Gotha Programme’s assertion of the “fair distribution of the proceeds of labour”. He argues that what we might consider “fair” today, is a result of the capitalist mode of production. As above, he is arguing that legal principles such as “fair” are created within the economic context of the existing mode of production and that what might appear “fair” today, should not be assumed so for post-capitalist society. He regarded such terms as “dogmas, ideas which in a certain period had some meaning but have now become obsolete verbal rubbish”

Here, Marx also makes an interesting distinction about the relationship between production and distribution.

Any distribution whatever of the means of consumption is only a consequence of the distribution of the conditions of production themselves. The latter distribution, however, is a feature of the mode of production itself. The capitalist mode of production, for example, rests on the fact that the material conditions of production are in the hands of nonworkers in the form of property in capital and land, while the masses are only owners of the personal condition of production, of labor power. If the elements of production are so distributed, then the present-day distribution of the means of consumption results automatically. If the material conditions of production are the co-operative property of the workers themselves, then there likewise results a distribution of the means of consumption different from the present one. Vulgar socialism (and from it in turn a section of the democrats) has taken over from the bourgeois economists the consideration and treatment of distribution as independent of the mode of production and hence the presentation of socialism as turning principally on distribution.

Nothing has changed….!

Further on in the text, Marx discusses the the identity of the working class and its relation to the nation state. He emphasises the need for national solidarity while recognising that capital is transnational: “Every businessman knows that German trade is at the same time foreign trade.” If we relate this to the the formation of producer co-operatives it underlines the need for co-operation and solidarity at both national and international levels. Just as capital is continually trying to operate globally without restriction through international treaty and law, a co-operative working class movement must pursue the same at both the diplomatic, legislative and economic levels.

Section Two

In section two of the Critique, Marx discusses wages in an attempt to remind the United Worker’s Party that their proposed programme is yet again confused and taking retrograde steps by asserting an “iron law of wages”. Marx refers to his earlier work in scientifically analysing waged labour:

“there has asserted itself in our party the scientific understanding that wages are not what they appear to be — namely, the value, or price, of labor—but only a masked form for the value, or price, of labor power. Thereby, the whole bourgeois conception of wages hitherto, as well as all the criticism hitherto directed against this conception, was thrown overboard once and for all. It was made clear that the wage worker has permission to work for his own subsistence—that is, to live, only insofar as he works for a certain time gratis for the capitalist (and hence also for the latter’s co-consumers of surplus value); that the whole capitalist system of production turns on the increase of this gratis labor by extending the working day, or by developing the productivity—that is, increasing the intensity or labor power, etc.; that, consequently, the system of wage labor is a system of slavery, and indeed of a slavery which becomes more severe in proportion as the social productive forces of labor develop, whether the worker receives better or worse payment.”

Clearly Marx is exasperated here with the lack of understanding and development of his critique of political economy, published just eight years earlier. He criticises the Party, which “following in the wake of the bourgeois economists, took the appearance for the essence of the matter.” Today, he would say that nothing has changed!

Section Three

Section three focuses on the role of the state and the role of class struggle. The Gotha Programme places an emphasis on state assistance in setting up worker co-operatives. Agency is therefore assumed to be in the hands of the state rather than the workers’ struggle. Marx responds:

“Instead of arising from the revolutionary process of transformation of society, the “socialist organization of the total labor” “arises” from the “state aid” that the state gives to the producers’ co-operative societies and which the state, not the workers, “calls into being”.”

Marx is clear that the need for workers themselves to “revolutionize the present conditions of production and it has nothing in common with the foundation of co-operative societies with state aid.” The meaning and purpose of co-operatives is, we might say, expedient or pedagogical. They are a step towards communism and away from the capitalist state, but should not be confused with a form of communism itself. They provide the conditions for communism to historically, materially and epistemologically emerge.

“But as far as the present co-operative societies are concerned, they are of value only insofar as they are the independent creations of the workers and not proteges either of the governments or of the bourgeois.”

Section Four

The final section of the Critique focuses on freedom and democracy. The Gotha Programme advocates “the free basis of the state”, which Marx questions rhetorically: “Free state – what is this?”

He accuses the German Workers’ party of treating the state as independent of the mode of production, asserting that the state is “a fiction”.

“…instead of treating existing society (and this holds good for any future one) as the basis of the existing state (or of the future state in the case of future society), it treats the state rather as an independent entity that possesses its own intellectual, ethical, and libertarian bases.

And what of the riotous misuse which the program makes of the words “present-day state”, “present-day society”, and of the still more riotous misconception it creates in regard to the state to which it addresses its demands?

“Present-day society” is capitalist society, which exists in all civilized countries, more or less free from medieval admixture, more or less modified by the particular historical development of each country, more or less developed. On the other hand, the “present-day state” changes with a country’s frontier. It is different in the Prusso-German Empire from what it is in Switzerland, and different in England from what it is in the United States. The “present-day state” is therefore a fiction.

Nevertheless, the different states of the different civilized countries, in spite or their motley diversity of form, all have this in common: that they are based on modern bourgeois society, only one more or less capitalistically developed. They have, therefore, also certain essential characteristics in common. In this sense, it is possible to speak of the “present-day state” in contrast with the future, in which its present root, bourgeois society, will have died off.”

In this sense, the state as a social form, independent from capitalist society is “a fiction”, but the capitalist state as an abstraction that has essential characteristics shared across national borders, is real: a real abstraction which appears in the form of national governments.

In this section of the Critique, Marx also attempts to discuss how a future communist society would perform the social functions currently handled by the state (“the government machine”).

“What transformation will the state undergo in communist society? In other words, what social functions will remain in existence there that are analogous to present state functions? This question can only be answered scientifically, and one does not get a flea-hop nearer to the problem by a thousand-fold combination of the word ‘people’ with the word ‘state’.

Between capitalist and communist society there lies the period of the revolutionary transformation of the one into the other. Corresponding to this is also a political transition period in which the state can be nothing but the revolutionary dictatorship of the proletariat.”

It’s worth nothing, too, that Marx views social change without regard for national borders. He complains that the Gotha Programme is simply appealing for what has already been realised elsewhere. For the German liberal socialist, the future already exists, only it is elsewhere (Switzerland!).

“Now the program does not deal with this nor with the future state of communist society.

Its political demands contain nothing beyond the old democratic litany familiar to all: universal suffrage, direct legislation, popular rights, a people’s militia, etc. They are a mere echo of the bourgeois People’s party, of the League of Peace and Freedom. They are all demands which, insofar as they are not exaggerated in fantastic presentation, have already been realized. Only the state to which they belong does not lie within the borders of the German Empire, but in Switzerland, the United States, etc. This sort of “state of the future” is a present-day state, although existing outside the “framework” of the German Empire.”

Although written nearly 150 years ago, the same could be said of much political activism today.

Marx is scathing at this point in the Critique, and accuses the German Workers’ Party of demanding a democratic republic from what he regards as a military dictatorship, “a state which is nothing but a police-guarded military despotism, embellished with parliamentary forms”. Only in their imagination could their demands be met through the instruments of the bourgeois state.

The last few paragraphs of the Critique focus on the demand for free, public elementary education. Marx argues that “free” education is not free but paid for through taxation of the rich and he equates the demand for free education to the existing administration of free criminal justice, which “is to be had free everywhere.” Marx objects to “elementary education by the state”, preferring the American system whereby education is regulated by the state, rather than “appointing the state as the educator of the people!” Rather, “the state has need, on the contrary, of a very stern education by the people.”

“But the whole program, for all its democratic clang, is tainted through and through by the Lassallean sect’s servile belief in the state, or, what is no better, by a democratic belief in miracles; or rather it is a compromise between these two kinds of belief in miracles, both equally remote from socialism.”

Marx on co-operation

When numerous labourers work together side by side, whether in one and the same process, or in different but connected processes, they are said to co-operate, or to work in co-operation… Co-operation ever constitutes the fundamental form of the capitalist mode of production. (Marx, Capital Vol.1, Ch. 13)

I think that what is key to any advocacy of co-operatives as anti- or post-capitalist organisations, is not co-operation in terms of the division and participation of labour, but rather co-ops as a response to capital’s antagonistic relationship between labour and property: democratic control of capital by workers i.e. a ‘commons’.

I have no interest in advocating co-operatives that do not pursue ‘common ownership‘. 6

Consequences

My contribution to a game of Consequences, part of the Social Science Imagination course. In memory of my Dad.

CW MILLS met NIGEL WINN on May 26th 2006  at home by his hospital bed, which was on loan.

CW MILLS SAID: I heard that you hated work, you never made any money, you laid bricks most of your life, you left school with no qualifications, you were constantly trying to reinvent yourself and now you are dying of cancer at 56. The world has failed you.

NIGEL WINN SAID: I  married my childhood love. I wrote poetry and a book no-one ever saw. I had children and friends. I danced naked in the garden with my love on the summer Solstice. I had little money and didn’t need much either. I went to University aged 50, got a 1st in English and became a lecturer aged 54. The cancer will take me quick. I’ve said goodbye. I am having visions of my mother and Queen Victoria and the flowers outside look so beautiful. Tomorrow I will die with dignity among people I love and who love me.

NIGEL WINN died the next day after drowning himself with a glass of water. His wife and children watched until the last breath.

THE CONSEQUENCES WERE:  NIGEL WINN’s sons dug his grave and buried him. People grieved. There was silence. Dignity. A prize in his name. Despite it all.

Political Economy

Political economy abstracts from the social fact of landownership, to present rent as a quality of the land. It abstracts from the social form of wage-labour, to present wages as the recompense for labour. It abstracts from the social form of capital, to present profit as a quality of the means of production. It abstracts from the social form of exchange, to present exchange as an expression of a rational, natural propensity to ‘truck, barter and exchange’.

However this is an illegitimate form of abstraction, for it is only in a particular form of society that land generates a rent, means of production a profit, and labour a wage. It is only in a particular form of society that the private labour of individuals is related through exchange. To treat these categories in abstraction from their social form is to deprive them of any content, to make them into purely formal categories that exist wherever there are land, labour, means of production or co-operation. Thus the categories of political economy are given an eternal status, and are even applied to societies within which neither wages, nor profits, nor rent, nor exchange, actually exist.

Simon Clarke (1982) Marx, Marginalism and Modern Sociology

Co-operative universities mailing list

If you are interested in discussing, researching, keeping up-to-date and even creating a co-operative university, there is a mailing list you can join.

https://lists.mayfirst.org/mailman/listinfo/co-op-universities

The list was first set up by a group of us who attended the Co-operative Education Against the Crises conference earlier in the year. Since Dan Cook published his report and the Institute of Education hosted a seminar, people have been in touch via this blog, Twitter and email, asking me how to stay involved.

Please join the mailing list and introduce yourself. As I write this post (17th Dec 2013), it has a membership of 14 people.

The mailing list is hosted by Mayfirst/People Link, a politically progressive member-run collective of technologists.

Cinétracts. Revolutionary filmmaking

The Ciné-Tracts [1968] project was undertaken by a number of French directors as a means of taking direct revolutionary action during and after the events of May 1968. Contributions were made by Godard, Chris Marker, Alain Resnais and others during this period. Each of the Ciné-Tracts consists of 100 feet of 16mm black and white silent film shot at 24 FPS, equalling a projection-time of 2 minutes and 50 seconds. The films were made available for purchase at the production cost, which at the time was fifty francs.

As part of the prescription for the making of the films, the director was to self-produce, self-edit, be the cinematographer, ensuring that each film was shot in one day. Godard had undergone a series of encounters on the barricades during the ‘Langlois Affair’ in February of 1968, and during May was seen actively involved in labour marches, photographing the riots in the Latin Quarter. He also took time to shoot some material at the University of Paris campus at Nanterre.

Source: Cinétracts

I first learned of the Cinétracts through Abé Mark Nornes, whose class I attended during my time in Ann Arbor. On his course, Nornes discussed the documentaries of Ogawa Shinsuke (and later wrote the only book in English about him) and I spent hours watching those superb films about Ogawa’s film collective living and working in rural Japan. I really wish they were available on DVD. Nornes also put me on to Chris Marker and said that Marker, Godard and other French filmmakers had made a series of ‘Cinétracts’ which they distributed to Ogawa in Japan and in return Ogawa sent them his films of the student-worker struggle against the development of Narita airport during the same period of the late 1960s. I think I have that story right.

At any rate, the Japanese film class with Nornes, which was not directly related to the rest of my degree in Buddhism (the wonder of the liberal arts model), had me watching bootleg copies of Ogawa and Marker for much of my last summer in the USA. I left to go to live in rural Japan for three years, where, in my spare time, I would run my own small Cinematheque.

Some of Godard’s Cinétracts are in the British Film Institute’s archive, where I later worked as a film archivist (and met my wife), and I see that someone has done us all a favour and uploaded a compilation to YouTube.

This is revolutionary filmmaking, not just its content, but also its scale and form. Godard used still images to compose his Cinétract. Six years earlier, Marker had used this technique in La Jetée.

The Song

Two continents – two sons,

Leaves a father here contemplating

How time runs

Off and away with everything

We ever call our own

 

The time and tide that ebbs away

Taking the uncertainty of youth

To return one day,

With new grown men who stand and gaze,

Politely bemused, at figures once tall but now diminished

Since their being away.

 

And parents having to let go, yet still holding on,

To little boys they shaped and moulded

In days long gone,

Don’t always through their eyes

See the face the shape they recognise.

But sometimes with eyes closed, sons and parents both,

Recognise the song.

by Nigel Winn (1950-2006). Dated October 20th 1996.