Beyond Public and Private

An edited version of our article, Beyond Public and Private: A Framework for Co-operative Higher Education, has been published in a new book: Co-operative Education, Politics, and Art: Creative, Critical, and Community Resistance to Corporate Higher Education, edited by Richard Hudson-Miles and Jackie Goodman. I’d like to thank the editors for their decision to include our work in this important book. It’s very satisfying to see the work we did on co-operative higher education having an influence on art education.

A related article by Jackie and Richard is What Artists Want, What Artists Need: A Critical History of the Feral Art School, Hull, UK 2018 – Present.

The original, longer version of our article, Beyond Public and Private, was first published in the Open Library of Humanities Journal.

Commodity

This chapter discusses the peculiar nature of the ‘commodity’. I start by chopping the word down to its etymological roots and then reanimate it as the ‘commodity form’. In order to explain a single word, I have to introduce others: labor-power, abstract labor, socially necessary labor time and value. I then discuss the commodity of education, students as consumers and as producers. Finally, I conclude that the university (or college, or school) is a fetish that conceals the pervasive social power of the commodity-form.

Winn, Joss (2021). Commodity. In: Themelis, Spyros (Ed.), Critical Reflections on the Language of Neoliberalism in Education: Dangerous Words and Discourses of Possibility. London: Routledge.

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The co-operative university now!

This chapter narrates the recent efforts of a growing number of people, including ourselves, to create a co-operative university in England. In doing so, we situate these efforts within the broader political and economic climate of UK higher education and in light of both historical and recent developments in the co-operative movement. Recognizing that the idea of creating a co-operative university in the UK is one that has been written about for over a century, we found ourselves asking, ‘why now?’

Download a pre-print of this book chapter and buy the book.

Student as Producer is hacking the university

With Dean Lockwood

This chapter discusses the Student as Producer project at the University of Lincoln and provides two case studies of how Student as Producer is infiltrating quite different areas of university life. The first discusses Student as Producer in the context of Deleuze and rhizomatic curriculum design, while the second looks at how the project is being applied to the development of an open institutional infrastructure, in which Computer Science students are redesigning and developing the tools used for research, teaching and learning.

Published in Rethinking Pedagogy for a Digital Age

Download a pre-print of this chapter. It is partly based on a case study I wrote for JISC.

Open education. From the freedom of things to the freedom of people

In this book chapter I offer a critical analysis of Open Education, a growing international movement of educators and educational institutions who, through the use of the Internet, seek to provide universal access to knowledge. The purpose of this analysis is to examine the production of value through technological virtuality, in the concrete labour process of teaching and learning.

Published in Towards Teaching in Public: Reshaping the Modern University

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Wikileaks and the limits of protocol

In this chapter, I reflect on Wikileaks and its use of technology to achieve freedom in capitalist society. Wikileaks represents an avant-garde form of media (i.e. networked, cryptographic), with traditional liberal values: opposing power and seeking the truth. At times, http://wikileaks.org appears broken and half abandoned and at other times, it is clearly operating beyond the level of government efficiency and military intelligence. It has received both high acclaim and severe criticism from human rights organisations, the mainstream media and governments. It is a really existing threat to traditional forms of power and control yet, I suggest, it is fundamentally restrained by liberal ideology of freedom and democracy and the protocological limits of cybernetic capitalism.

Published in Face the Future: Tools for the Modern Media Age. The Internet and Journalism Today.

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The student as producer: reinventing the student experience in higher education

With Mike Neary

In this chapter, we set out to provide an overview of recent critical responses to the corporatisation of higher education and the configuration of the student as consumer. We also discuss the relationship between the core activities of teaching and research and reflect on both nineteenth century discourse and more recent efforts to re-establish the university as a liberal humanist institution, where teaching and research are equal and fundamental aspects of academic life. While recognizing recent efforts which acknowledge and go some way to addressing the need for enquiry-based learning and constructivist models of student participation, we argue that a more critical approach is necessary to promote change at an institutional level. This critical approach looks at the wider social, political and economic context beyond the institution and introduces the work of Benjamin and other Marxist writers who have argued that a critique of the social relations of capitalist production is central to understanding and remodelling the role of the university and the relationship between academic and student. The idea of student as producer encourages the development of collaborative relations between student and academic for the production of knowledge. However, if this idea is to connect to the project of refashioning in fundamental ways the nature of the university, then further attention needs to be paid to the framework by which the student as producer contributes towards mass intellectuality. This requires academics and students to do more than simply redesign their curricula, but go further and redesign the organizing principle, (i.e. private property and wage labour), through which academic knowledge is currently being produced. An exemplar alternative organizing principle is already proliferating in universities in the form of open, networked collaborative initiatives which are not intrinsically anti-capital but, fundamentally, ensure the free and creative use of research materials. Initiatives such as Science Commons, Open Knowledge and Open Access, are attempts by academics and others to lever the Internet to ensure that research output is free to use, re-use and distribute without legal, social or technological restriction (www.opendefinition.org). Through these efforts, the organizing principle is being redressed creating a teaching, learning and research environment which promotes the values of openness and creativity, engenders equity among academics and students and thereby offers an opportunity to reconstruct the student as producer and academic as collaborator. In an environment where knowledge is free, the roles of the educator and the institution necessarily change. The educator is no longer a delivery vehicle and the institution becomes a landscape for the production and construction of a mass intellect in commons.

Published in The Future of Higher Education: Policy, Pedagogy and the Student Experience

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