Journal articles – Joss Winn

Amateurs, Autodidacts, and the First Decade of Classical Guitar-Making in Britain

I have recently had an article on the early history of classical guitar-making in Britain published in the Journal of the American Musical Instrument Society (JAMIS). The journal is available to purchase in hard copy from the American Musical Instrument Society and a ‘post-print’ version (peer-reviewed but without the journal layout and page numbering) is available to download from the University of Lincoln’s research repository.

Download the article.

I welcome any comments on the article, which has, among other things, occupied me for over two years. It’s the first of several articles related to the knowledge, education and training of classical guitar-makers that I am working towards. The abstract and brief profiles of some of the people I discuss are summarised below.

“This article explores the first decade of classical guitar-making in Britain (1948 – 1957) and discusses the efforts of amateurs and autodidacts in the recovery, codification and instruction of craft knowledge and skills. The research for this article draws on two sources of primary data: guitar magazines and the first three attempts in the English language to codify the practical knowledge of classical guitar-making into instructional texts. I begin by identifying the instrument in its historical context. Next, I present biographical summaries of key advocates and outline the work of the first luthiers. I then discuss the Do-It-Yourself texts and argue that classical guitar-making at that time gradually gained cultural legitimacy through the efforts of autodidacts who established the requisite knowledge and skills that were later adopted and validated by educational institutions.”

Albert Percy Sharpe (1906-1968). Director of Clifford Essex Co., editor of BMG magazine and author of Make Your Own Spanish Guitar (1957), in which he documented the work of his employee, the luthier, Marco Roccia.
Wilfrid M. Appleby (1892-1987) was a controversial campaigner for the “real guitar”; founder of the International Classic Guitar Association and editor of its ‘official organ’, Guitar News. He helped stimulate classical guitar-making in Britain through his writing and support of amateur makers of “the legitimate instrument.”
This is Kay Appleby, wife of Wilfrid, and Treasurer and Business Editor of the International Classic Guitar Association. The history of classical guitar making in Britain was, and still is, an overwhelmingly male occupation but in the 100th issue of Guitar News (1968) Wilfrid Appleby acknowledged that “in all matters concerning the Association, in fact, they work as a team… It is, of course, a ‘labour of love’, and involves many hours of hard concentrated work, especially for the Business Editor, who deals with the accounts, card index and the very considerable correspondence.”
Terry Usher (1909-1969) was one of the most significant contributors to the development of modern classical guitar-making in England. As well as a player, composer and teacher, he was a prolific writer in BMG from the mid-1930s and wrote technical articles about classical guitar construction in the late 1940s. He also wrote the first English-language, scholarly, organological article on the classical guitar for The Galpin Society Journal in 1956. His day job was Public Relations Officer for Manchester City Council.
J.K. Sutcliffe was a writer for Guitar News and throughout the 1950s he wrote articles on the construction of the classical guitar. Before there was any set of instructions (in English) on building a guitar, he provided technical information for “the very patient and careful amateur.”
Harald Petersen (1910-1969) moved from Denmark to England in 1950, thinking there were more opportunities for a luthier to sell classical guitars. After a slow start, he benefited from the growing success of Len Williams’ Spanish Guitar Centre in London, which he sold his guitars through from about 1955. Peterson was the first successful self-employed maker of handmade classical guitars in Britain.
Here is A.P. Sharpe (left) in the workshop with Marco Roccia (1902-1987). Roccia was one of the first luthiers in Britain to experiment with making a ‘concert’ guitar, which he developed between 1948-1951. Terry Usher reviewed Marco Roccia’s concert guitar in 1951 as “the first true concert guitar to be produced in this country.”
Hector Quine (1926-2015) is well-known for being the first professor of guitar at the Royal Academy of Music (from 1959). Quine was also one of the first serious amateur classical guitar makers. With the encouragement of Julian Bream, he made his first instrument “mostly by unorthodox methods and devices” in 1952/3. Bream used Quine’s second instrument to perform at the Wigmore Hall in September 1954. His third instrument was used by Bream to record two albums for Westminster in 1955. Quine made 18 instruments in total over a period of about 20 years. The recording of his third instrument is probably the earliest recording of a ‘concert’ guitar made by a British luthier.
Theodorus M. Hofmeester (centre) (1897-1955) was an Architect and President of the Classical Guitar Society in Chicago. He made an important contribution to the early history of classical guitar making by creating the first technical drawing of a Torres guitar (FE26) for Guitar Review magazine in 1954. The drawing provided a useful level of detail for subsequent makers to build from. Although published in the USA, Guitar Review had readers and contributors in the U.K. and the Hofmeester drawing laid the groundwork for subsequent DIY texts on classical guitar making in Britain.
He may be holding a violin but Clifford A. Hoing (1903-1989) was responsible for the first step-by-step instructions for making a classical guitar. He did so over five issues of Woodworker magazine (1955), alongside articles on making fishing floats and furniture. He became “one of the most respected” British makers of violins and violas but should also be remembered for being the first person to codify the craft of classical guitar making.
Eric V. Ridge was a committee member of the ICGA and an amateur violin maker. He used the Hofmeester plan to help him make his first guitar, which he documented in The Birth of a Guitar (1956-7), published as a series of instructions in Guitar News. Alongside Hoing’s and Sharpe’s DIY texts, Ridge contributed a more personal narrative of discovery.

Making a Co-operative University: a new form of knowing – not public but social

Mike Neary and I were invited to write about our work on co-operative higher education for the journal, FORUM. It’s part of a special issue: ‘For a New Public Education in a New Public School’. Here’s our abstract:

Calls to establish public education avoid the fact that public education is provided by the capitalist state whose real purpose is the market-based model of private gain. Public against private education is a false dichotomy; rather, public and private are complementary forms of capitalist regulation. Radical alternatives require a more foundational critique of the structures of capitalist education, grounded in an understanding of the contradictory relationship between capital and labour on which the institutions of capitalist civilisation are based. This article suggests a counter project: not public education but social knowing as the basis for a solidaristic form of social life. Our model for social knowing starts with the idea of a co-operative university.

Download the article from FORUM journal.

The Social Science Centre, Lincoln: the theory and practice of a radical idea

Mike Neary and I were invited to reflect on the Social Science Centre (SSC) for the Italian journal, Roars Transactions. Here’s the abstract.

The Social Science Centre, Lincoln (SSC), is a co-operative organising free higher education in the city of Lincoln, England. It was formed in 2011 by a group of academics and students in response to the massive rise in student fees, from £3000 to £9000, along with other government policies that saw the increasing neo-liberalisation of English universities. In this essay we chart the history of the SSC and what it has been like to be a member of this co-operative; but we also want to express another aspect of the centre which we have not written about: the existence of the SSC as an intellectual idea and how the idea has spread and been developed through written publications by members of the centre and by research on the centre by other non-members: students, academics and journalists. At the end of the essay we will show the most up to date manifestation of the idea, the plans to create a co-operative university with degree awarding powers where those involved, students and academics, can make a living as part of an independent enterprise ran and owned by its members for their benefit and the benefit of their community and society.

Download the essay. Read more about the SSC.

Beyond Public and Private: A Framework for Co-operative Higher Education

Framework for Co-operative Higher Education (click to enlarge)

Mike Neary and I have a new journal article out in the Open Library of the Humanities. It is a longer companion piece to our article in LATISS. The research was funded by the Independent Social Research Foundation.

Here’s the abstract:

Universities in the UK are increasingly adopting corporate governance structures, a consumerist model of teaching and learning, and have the most expensive tuition fees in the world (McGettigan, 2013; OECD, 2015). This paper discusses collaborative research that aimed to develop and define a conceptual framework of knowledge production grounded in co-operative values and principles. The main findings are outlined relating to the key themes of our research: knowledge, democracy, bureaucracy, livelihood, and solidarity. We consider how these five ‘catalytic principles’ relate to three identified routes to co-operative higher education (conversion, dissolution, or creation) and argue that such work must be grounded in an adequate critique of labour and property i.e. the capital relation. We identify both the possible opportunities that the latest higher education reform in the UK affords the co-operative movement as well as the issues that arise from a more marketised and financialised approach to the production of knowledge (HEFCE, 2015). Finally, we suggest ways that the co-operative movement might respond with democratic alternatives that go beyond the distinction of public and private education.

Read the article online or download from OLH.

There is an alternative: A report on an action research project to develop a framework for co-operative higher education

Mike Neary and I have had an article published in Learning and Teaching. The International Journal of Higher Education in the Social Sciences.

The article is the first of two publications arising from our ISRF-funded project (2015-16): Beyond public and private: A model for co-operative higher education. A longer article is currently under review. An earlier combined version of both articles was presented at conferences last year.

This report provides an interim account of a participatory action research project undertaken during 2015–16. The research brought together scholars, students and expert members of the co-operative movement to design a theoretically informed and practically grounded framework for co-operative higher education that activists, educators and the co-operative movement could take forward into implementation. Our dual roles in the research were as founding members of the Social Science Centre, Lincoln, an autonomous co-operative for higher education constituted in 2011 (Social Science Centre 2013), and as professional researchers working at the University of Lincoln. The immediate context for the research was, and remains, the ‘assault’ on universities in the U.K. (Bailey and Freedman 2011), the ‘gamble’ being taken with the future of higher education (McGettigan 2013), and the ‘pedagogy of debt’ (Williams 2006) that has been imposed through the removal of public funding of teaching and the concurrent tripling of tuition fees (Sutton Trust 2016).

Download a pre-print PDF.

Special Issue of Workplace Journal on ‘Marx, Engels and the Critique of Academic Labor’

Karen Gregory and I have edited a special issue of Workplace: A Journal for Academic Labor, which focuses on the contribution that Marx and Engels’ work can make to the critical study of academic labour. This is also something I explored in my earlier article for Workplace, ‘Writing about academic labor‘. In addition to editing the issue, Karen and I contributed an extended, introductory article and Karen took the opportunity to interview Stanley Aronowitz, who was also interviewed in 1998 for the first issue of Workplace.

The Call for Papers was first announced here in December 2014 and I’d like to thank the authors for their contributions (and patience), as well as Karen, who has been a pleasure to work with, and Stephen Petrina, the general editor of Workplace, for his encouragement and support. Here’s the Table of Contents:

Articles

Marx, Engels and the Critique of Academic Labor	PDF
Karen Lynn Gregory, Joss Winn

Towards an Orthodox Marxian Reading of Subsumption(s) of Academic Labour under Capital	PDF
Krystian Szadkowski

Re-engineering Higher Education: The Subsumption of Academic Labour and the Exploitation of Anxiety	PDF
Richard Hall, Kate Bowles

Taxi Professors: Academic Labour in Chile, a Critical-Practical Response to the Politics of Worker Identity	PDF
Elisabeth Simbürger, Mike Neary

Marxism and Open Access in the Humanities: Turning Academic Labor against Itself	PDF
David Golumbia

Labour in the Academic Borderlands: Unveiling the Tyranny of Neoliberal Policies	PDF
Antonia Darder, Tom G. Griffiths

Interviews

Jobless Higher Ed: Revisited, An Interview with Stanley Aronowitz	PDF
Stanley Aronowitz, Karen Lynn Gregory

The University of Utopia

Letters from Utopia, first published in Post-16 Educator (84). Download PDF.

“The state of abundance is not a Utopian vision but the real possibility of conditions already in existence.” (Kay and Mott, Political Order and the Law of Labour, 1982, 1)

What follows is a series of short letters written by a student from the University of Utopia. Although a fictional account, the letters are written with the conviction that we are actually living in a state of abundance, rather than the scarcity imposed by the market economy and that global social needs can be met by our existing capacity to co-operate with one-another rather than compete. The five letters are based on our joint research and practice of co-operative higher education which we have been undertaking since 2010. They do not reflect the breadth of the research but instead offer one imaginary account that we are hopeful for and working on. A recently completed project ¹ brought together many people to produce a practical and theoretical framework for co-operative higher education, features of which we have tried to embed in the epistolary form that follows. We invite you to also read a recent paper ² that we have written which discusses our ongoing research in more detail.

Mike Neary and Joss Winn, June 2016.

~~~

Dear Mum,

I am writing to you from Utopia. At least that’s what the first couple of weeks has felt like. Since you and Dad left me at the student housing co-op, I’ve learned a lot about what makes this university different and I’m pretty sure I made the right choice to come here. I know we read the brochures about what makes a co-operative different to other types of organisation but it’s only in the last few days that I’ve really started to get it. The university is made up of four Schools: Life, Machines, Letters and Property. I suppose the main thing I’ve noticed is the emphasis that members of the university place on the importance of democracy and what that means in terms of my role here. Although I’m just a first-year student, it seems that first and foremost I’m a member of the university, just like my teachers. In fact, it’s not just the students and teachers, but everyone is a member with an equal say in how the place runs. At first, I wondered how the place manages to run at all, but during orientation week I got a better sense of the long history of co-ops and how they tend to be good places to live and work and learn. It can’t always be easy, but people seem proud of their co-op and the role it has in society. Although it’s quite a new university, it’s part of an international movement of people who think that ‘common ownership’ (I still don’t really know what this means but it sounds good) and democratic control of their organisations is a good thing. It’s not just the university and my house that are co-ops either: the university canteen, the local health service and even a secondary school next to the university are co-ops, too, and they all try to work together. Oh, yes, I almost forgot… My bedroom furniture was designed and made by students from the university, too! I was told that by some second-year students in my house. They seem like good people. A few of us went out the other night and got to know each other. I met a nice girl called Ellie. She went to a co-op school so she knows much more about how everything works than I do. I’m really excited about being here. Can you tell!?!?!

Lots of love to you and Dad. X

~~~

Dear Mum,

I hope you are well? After four months, this place is starting to become less strange. More familiar.

I am made to feel like a researcher with something to offer, rather than an undergraduate student with everything to learn. There is learning, of course, lots of it and in different situations, not only in lectures, in fact there are no lectures. Last week I was having lunch and my teacher asked me to collaborate on a project about the chemistry of cooking and the politics of food, including the cause of hunger and malnutrition. Afterwards, when we were cleaning up the kitchen, I thought about designing a kitchen that would avoid wasting food. This ties in with another project I am working on, building a house for visitors to Utopia. I want to design a contemporary croft out of concrete. My School: Life, is holding a competition. The best house design is going to be built by the students and teachers. This project connects my interest with concrete as a concept and as a building material. I was interviewing a visitor to Utopia to get ideas for my building. She asked me, ‘what subjects are you studying’. I said, ‘I am not studying subjects. I am studying Life. And next year I am studying Machines’. She was incredulous, not least when I told her we didn’t have exams but produced work to be read and seen in public as acts of collaboration and generosity. I have to be honest but I find my allocated work project less interesting. It’s with the School of Property. I have no interest in law or bureaucracy. I just want to build things. My tutor asked me what laws are needed to build a new society not based on private property but a unity of purpose and social defence. I told him I would think about it. If I get time. I don’t have any time. Or space. I am knackered. The pace of work is too slow. I don’t get to the computers until next year when I start on Machines. Writing letters is part of the pedagogy, or the science of teaching, as they call it here. One of the Schools is called Letters, which extends to the humanities and the arts. My tutor says writing letters allows for more critical reflection which is essential for learning. I am not so sure. My handwriting is rubbish and my favourite pen burst in my pocket so my shirt has an ink stain. I told Ellie it was tie dye. She said, ‘Do you think I am stupid?’ I said, ‘No, I think you are the smartest person I have ever met’.

Lots of love to you and to Dad. x

~~~

Dear Mum,

Thanks for the money you sent me. It is very kind but I don’t really need it here. Other than to buy more soap and some chocolate and fruit and beer.

As you know I was never interested in money, but the idea of the commonwealth is different. It is based on creating a new form of social value based on human purpose in the natural world. Like people and the planet. For now, we can’t avoid life with coinage, so we all make a financial contribution to Utopia’s commonwealth. I raised my contribution from saving some of my wages when I worked before coming to Utopia and some crowdfunding and the money you gave me. As you know this pays for accommodation and meals as well as the teacher’s salaries. The annual accounts are a teaching object in the classes on Property. Money is the universal form of property. The university has reserves from donations and a levy from the international co-operative movement, for whom education is a core principle. My contribution is like an investment in the life of the university and if any profits are made at the end of the year I can draw down a dividend, or leave it in the fund to accumulate. The teachers pay a contribution to the commonwealth from their wages, which mounts up like a pension fund. I can earn money by working in the university to help the teachers teach and on necessary tasks to maintain the buildings. At Utopia doing is promoted above having. I might even leave the university with money in my pocket rather than a mountain of debt. So the Commonwealth is not just an idea but a living source of value. Part of this is experimenting with new forms of social value, like labour time banks and other sharing schemes. I told Ellie that I loved her and I wouldn’t share her with anyone. I believe in free education but not in free love. Does that make me a conservative? I want to be radical, but it is hard.

Lots of love to you and Dad x

~~~

Dear Mum,

I’m pleased that the warmer weather has arrived. I bet you and Dad are enjoying being out in the garden more. It certainly makes my job here more enjoyable as I’ve started to work in the university gardens, too. It’s a funny thing, you know. All members of the university work for it in some way, including students, but it doesn’t feel like ordinary work when it’s an organisation that you collectively own and control. Through this work, I’m getting a different view of the way things run around here, too. There are quite a lot of meetings to discuss all aspects of the University, but we usually come to decisions quite quickly (although some topics can drag on!). Rules really matter though and I’m realising that democracy needs people to be actively involved and have the right information at hand so we can make good decisions. It’s not just our internal rules that I’m learning about but also the way we have to operate within the law and how the law is reflected in forms of regulation and in our university’s administration. It’s all connected, which is why it seems important to understand law and politics and the economy as what my teacher referred to as ‘social forms’, rather than things in themselves (i.e. natural). Does that make sense?

People here are elected for a period to take the lead on things such as running the courses, overseeing money, and representing different types of members at committee meetings. It’s a big responsibility and I heard that last year, members voted to remove someone from their role because they didn’t listen to anyone! He’s gone back to teaching in the School of Property. I was in a seminar the other day where we were discussing ‘bureaucracy’ and it occurred to me that there’s plenty of it here but actually in a good way. It seems to help protect what people care about in their organisation and if someone really wants to change the way things are done, then we can discuss it and vote at the next general meeting (I think that’s how it works, or maybe there are other meetings where it gets discussed first). Well, as you can probably tell, I’ve been here nine months and I’m still figuring it all out. Some days I learn more in a committee meeting than I do in a seminar. Sometimes the committee meetings remind me of the type of discussions that were held in the Occupy movement that we studied last term. That’s a good thing, I guess.

As I mentioned on the phone, I don’t think I’ll be home for summer. It’s been agreed that I’ll be working with one of my teachers on a photography project about concrete buildings (can’t wait!) and Ellie has got a part-time job at her old school, helping run outdoor activities for kids.

Lots of love to you and Dad x

~~~

Dear Mum,

You asked me what have I learned over the last year. I learned universities are not about teaching and learning, but producing knowledge. My teachers talk about knowledge as an object of social value: something much more than value for money. I learned to develop a critical frame of mind. Not just through my own work but in reviewing the work of others. There are no grades or marks here, but a judgement by students and teachers on whether the work is ready for the world. If it is ready, then it gets published or put on show in an exhibition or as a public installation. If not then we redraft and resubmit, pull it apart and put it back together. We are taught to see the review as part of the process of the production of knowledge rather than as an assessment. As an act of collaboration with our teachers and with each other.

All of our work involves collaboration, a sort of intellectual solidarity. This way of working does not forget that we are at the same time individuals in a collective context. We are not all the same, and our idiosyncrasies are allowed to flourish. For example, my interest in concrete as a philosophical concept and as a construction material. Maybe I will become an architect. My favourite building style is Brutalism.

Collaboration extends to other school work like maintaining the buildings. Not out of any sense of idealism about the dignity of labour, but the more of us working together the faster it can get done, especially the more menial and mundane tasks. This sense of solidarity extends beyond the university. Next year I am going to the University of Mondragon as part of an exchange visit, working in their Electronics factory. This will form part of my studentship in the School of Machines.

In the curricula, Machines comes after Life. Life grounds knowledge in a relationship between humanity-in-nature, beyond the human intellectual and the cognitive to include the knowingness of the non-human world. Maybe this is the most important thing that I have learned. Letters deals with art and humanities and the importance of aesthetics. Property deals with different forms of social wealth and how they are expressed in the law and the physical environment.

I also learned about democracy and the importance of everyone having an equal say in how the university operates. Coming to a decision can take a very long time, but when we get there it feels like the right decision. The discussions are a learning process. Sometimes I feel like we have reached the right decision even if I do not agree with it, if that doesn’t sound too weird.

We are encouraged to retain our commitment to the University of Utopia when we leave. They have established a society of friends to support this long term relationship. So, in a sense, students will never leave this place, at least not in our minds and in our hearts.

And I learned about personal commitment and the way in which we can show solidarity towards each other, to the extent that we can become mirrors for each other’s individual needs. For a while Ellie had taken on that role for me, but it is too much for one person. We cried when we realised we were over, but laughed when we saw the world we had opened for each other.

Did you and Dad ever feel like this?

In Solidarity. X

~~~

Against Academic Identity

Mike Neary and I have a short article published in the ‘Points for Debate’ section of the Higher Education Research and Development journal. We were invited to write it following our contributions at the Academic Identities conference in Durham, 2014. The full article is reprinted below.

POINTS FOR DEBATE
Against academic identity

‘Academic identity’ is a key issue for debates about the professionalisation of university teaching and research, as well as the meaning and purpose of higher education. However, the concept of ‘academic identity’ is not adequate to the critical task for which it is utilised as it fails to deal with the real nature of work in capitalist society. It is important to move on from the mystifying and reified politics of identity and seek to understand academic life so that its alienated forms can be transformed. This can be done by grasping the essential aspects of capitalist work in both its abstract and concrete forms, as well as the historical and social processes out of which academic labour has emerged.

The interest among the academic community in academic identity reflects a broader concern with the nature of academic work. This has been a preoccupation of researchers of higher education who have examined the changing nature of the profession (Tight 2000; Fitzgerald, White & Gunter, 2012), the impact of policy and bureaucracy on academic work (Slaughter & Leslie, 1999), and the politics of the workplace (Martin, 1998). Recently, the emphasis has been on identity and what it subjectively means to be an academic (Barcan, 2013) responding to a decline in the conditions of academic labour across the world and the increasingly instrumentalised role of higher education in national economies (Brown & Carasso, 2013). Yet, despite repeated calls for increased unionisation (Krause et. al., 2008), individual autonomy is decreasing (Hall, 2013), contractual conditions are worsening (UCU, 2013), individual mental health issues are rising (Kinman & Wray, 2013) and academic work is being intensified (Gill, 2009).

This research into academic work and identity has helped illuminate the crisis at the heart of academic life, yet it does not get beyond a sense of powerlessness and anxiety. For example, Ball (2003) offers a perceptive and emotive account of life in the neoliberal university yet stops short at offering an adequate theory of academic work and identity. Ultimately, Ball’s account lacks explanatory and emancipatory power while the forces that shape academic life remain a mystery (Winn, 2014). This limitation is not unique to sociologists of education. In general, the last few decades of critical thinking in the social sciences have privileged questions of identity (race, ethnicity, sexuality, gender) to the neglect of what we regard as more fundamental categories of critique, including that of labour and, as such, represent “an expression of a deep and fundamental helplessness, conceptually as well as politically” (Postone, 2006, p. 102).

An adequate, explanatory theory of academic life in the neoliberal university must begin from Marx’s negative critique of labour in capitalist societies. The focus on the principle of negativity is key to this analysis (Noys, 2010), operating against the notion of difference and the affirmation of a multiplicity of identities. The positive attitude towards the concept of the Other which emerges from the celebration of difference is a hallmark of contemporary critical social theory, e.g., feminism, black studies, ethnicity, Queer and various other types of post-structural subjectivities. The key issue should be not a celebration of how different we are but, rather, what forces us to be different: classified within a pre-determined paradigm of capitalist domination. Holloway, Matamoros & Tischler (2009) argue that identity thinking leads to the politics of reconciliation and adaptation (which falls to escape its liberal formulations), while negativity leads to the politics of refusal to be dominated, or “the movement of endless revolt” (2009, p. 7) or class struggle. Not identity, but non-identity.

The basis for a negative critique of identity was established by Marx in his exposition of the commodity-form. Labour in capitalism is defined by having a simultaneously concrete and homogenous, abstract social form, which is expressed as its product, the commodity, which has a corresponding concrete use-value and abstract exchange-value. Marx regarded this historically specific relationship between the form of labour and the form of commodities as “the pivot on which a clear comprehension of political economy turns.” (Marx, 1996, p. 51). Starting from this discovery, which is fundamental to an understanding of capitalism in general, academic labour has both a concrete and abstract character reflected in the concept of ‘value’ that mediates the exchange of commodities and the social division of capitalist work.

This theoretical approach does not seek to provide a critique of academic life from the standpoint of labour but, rather, through a negative critique of labour (Postone, 1993). Taking this approach, both academic identity and academic labour are treated as reified concepts, or “real abstractions” (Sohn-Rethel, 1978, p. 20) to be overcome, transcended and indeed ‘abolished’ (aufhebung), theoretically and practically.

There is a need to theorise, imagine and develop new forms of social institutions for higher education based not on the production and mediation of value (the substance of which is homogenous, abstract labour) but on a new form of social wealth defined by an abundance or excess of knowledge, rather than its imposed scarcity in the form of value (Neary & Hagyard, 2010).

To assist this practical, transitional work, inspiration can be drawn from the worldwide tradition of worker co-operatives – an historic organisational form that has always sought to overcome the imposition of wage labour and establish a form of social property or a ‘commons’ that is democratically governed. We have been working with other academics, students, and members of our local community on such a project for co-operative higher education since 2010 (http://socialsciencecentre.org.uk). We are continually encouraged by the responses we receive from colleagues who are struggling to perceive academic life beyond the neoliberal university. As we conceive it, a ‘co-operative university’ is not simply a form of resistance against what the university has become but, rather, it is a dialectical response which recognises that the conditions for a new social form of higher education are already being produced both inside and outside the university by the only productive and creative intellectual force that exists in society, described by Marx as the “general intellect” or the “social brain” (Marx, 1993, p. 694). In capitalist society, the power of this social intellect is captured as science and technology and turned against its immediate producers (Winn, 2013); in communist society, this process would be re-constituted as a form of “mass intellectuality” and be appropriated for the benefit of the social and the natural world.

References

Ball, S. (2003). The teacher’s soul and the terrors of performativity. Journal of Education Policy, 18(2), 215–228.

Barcan, R (2013). Academic life and labour in the new university: Hope and other choices. England & USA: Ashgate Publishing.

Brown, R. & Carasso, H. (2013). Everything for sale? The marketisation of UK higher education. London: Routledge.

Fitzgerald, T., White, J. & Gunter, H. (2012). Hard labour? Academic work and the changing landscape of higher education. Bingley: Emerald Books.

Gill, R. (2009). Breaking the silence: The hidden injuries of neo-liberal academia. In R. Flood & R. Gill, R. (Eds.), Secrecy and silence in the research process: Feminist reflections (pp. 228-244), London: Routledge.

Hall, R. (2013). Educational technology and the enclosure of academic labour inside public higher education. Journal for Critical Education Policy Studies, 11(3), 52–82.

Holloway, J., Matamoros, F. & Tischler, S. (Eds.) (2009). Negativity and revolution: Adorno and political activism. London: Pluto Press.

Kinman, G. & Wray, S. (2013). Higher stress: A survey of stress and well-being among staff in higher education. University and College Union (UCU). Retrieved 1st December 2014 from http://www.ucu.org.uk/media/pdf/4/5/HE_stress_report_July_2013.pdf

Krause, M., Nolan, M., Palm, M. & Ross, A. (2008). The university against itself: The NYU strike and the future of the academic workplace. Philadelphia: Temple University Press.

Martin, R. (1998). Chalk lines: The politics of work in the managed university. Durham: Duke University Press.

Marx, K. (1996). Capital, Volume 1, Marx and Engels’ collected works, Vol. 35. London: Lawrence and Wishart Ltd.

Neary, M. & Hagyard, A. (2010). Pedagogy of excess: An alternative political economy of student life. In M. Molesworth, R. Scullion & and E. Nixon (Eds.), The marketisation of higher education and the student as consumer. London: Routledge.

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The co-operative university: Labour, property and pedagogy

I begin this article by discussing the recent work of academics and activists to identify the advan- tages and issues relating to co-operative forms of higher education, and then focus on the ‘worker co-operative’ organisational form and its applicability and suitability to the governance of and practices within higher educational institutions. Finally, I align the values and principles of worker co-ops with the critical pedagogic framework of ‘Student as Producer’. Throughout I employ the work of Karl Marx to theorise the role of labour and property in a ‘co-operative university’, drawing particularly on later Marxist writers who argue that Marx’s labour theory of value should be understood as a critique of labour under capitalism, rather than one developed from the standpoint of labour.

You can download this article from the journal, Power and Education .