Questioning Technology in the Development of a Resilient Higher Education

With Richard Hall

This article considers the impact that peak oil and climate change may have on the future of higher education. In particular, it questions the role of technology in supporting the provision of a higher education which is resilient to a scenario both of energy depletion and the need to adapt to the effects of global warming. One emerging area of interest from this future scenario might be the role of technology in addressing more complex learning futures, and more especially in facilitating individual and social resilience, or the ability to manage and overcome disruption. However, the extent to which higher education practitioners can utilise technology to this end is framed by their approaches to the curriculum, and the sociocultural practices within which they are located. The authors discuss how open education might enable learners to engage with uncertainty through social action within a form of higher education that is more resilient to economic, environmental and energy-related disruptions. It asks whether more open higher education can be (re)claimed by users and communities within specific contexts and curricula, in order to engage with an increasingly uncertain world.

Download the full chapter

Wikileaks and the limits of protocol

In this chapter, I reflect on Wikileaks and its use of technology to achieve freedom in capitalist society. Wikileaks represents an avant-garde form of media (i.e. networked, cryptographic), with traditional liberal values: opposing power and seeking the truth. At times, http://wikileaks.org appears broken and half abandoned and at other times, it is clearly operating beyond the level of government efficiency and military intelligence. It has received both high acclaim and severe criticism from human rights organisations, the mainstream media and governments. It is a really existing threat to traditional forms of power and control yet, I suggest, it is fundamentally restrained by liberal ideology of freedom and democracy and the protocological limits of cybernetic capitalism.

Published in Face the Future: Tools for the Modern Media Age. The Internet and Journalism Today.

Download this chapter.

Amateur and avant-garde film

It occurred to me that the work I did during my MA in Film Studies and Archiving (University of East Anglia 2001-2) might be of interest to someone.

My reason for undertaking the MA derived from my interest in amateur and avant-garde filmmaking. During 1998-2001, I lived in Japan and spent much of my spare time (and money), shooting Super 8mm and 16mm film (mainly landscapes and abstractions) and exhibiting international exchanges of European, North American and Japanese experimental film and video. I’ve never been interested in filmmaking as a career, but thought that working in film preservation and archiving would allow me to make a living out of a love for non-commercial filmmaking. With that in mind, here are the outputs of my MA.

Amateur Filmmaking During World War II

In my first paper for the MA, I discuss the dilemma of amateur filmmaking during war time, based on a study of original books and magazines from the 1930s and 1940s. In the second part of the paper, I draw heavily on my extended interviews with Dick Brandon, a soldier and amateur filmmaker during WWII. The paper lacks any critical theoretical method but offers a useful study of primary sources.

Amateur filmmaking during WWII

Site/Sight: Landscape and the Development of the Tourist’s Gaze in Early Travel Films

In my second paper for the MA, I discuss the development of amateur films within the context of early tourism. Specifically, I examine the broader development of commercial image making since the 18th c. and show how amateur travel films were simultaneously influenced by commercial, popular tourism and and its relationship with landscape painting and photography. I argue that “representationally, they add little to a notion of Englishness rooted in the landscape that wasn’t already well established and I am much more inclined to see them as commercial products which benefited from and contributed towards forms of economic and cultural consumerism.” I try to show how the production of amateur travel films was tied to the production of mass tourism, both of which are based on consumerism and the consumption of the immaterial. The paper draws on critical theory, secondary historical sources and my primary analysis of films held by the East Anglia Film Archive. Looking back at this paper now, I think that with the benefit of peer-review, this paper could be turned into a published journal article.

Site/Sight: Landscape and the Development of the Tourist’s Gaze in Early Travel Films

An Ecology of Images

Our end of year project was to make a short documentary which related in some way to the themes of archiving, preservation, conservation, etc. Some people made nice, straightforward documentaries about a given subject. I had a bunch of 16mm and 8mm footage that I shot during a trip across the USA (2000) and living in Japan (1998-2001) and used that to make a short film about history and memory.

I was heavily influenced by the narrative style of Chris Marker’s film, ‘Sans Soleil’ (my favourite film). The title is from Susan Sontag’s ‘On Photography’. I was reading John Berger’s ‘Ways of Seeing’ at the time, too…

The script is a blend of my own thinking at the time but also paraphrases Marker, Berger and Sontag considerably. The music uses bits and pieces by John Cage.

I was very proud of this when I finished it. Eight years on, I still quite like it.

Preserving the Hand Painted Films of Margaret Tait

In my dissertation, I discuss a small amount of the work of Margaret Tait. The Introduction offers a personal discussion on the profession of Archiving which I revisit in my conclusion. Section One provides a general overview of Margaret Tait’s life and influences. This brief biographical information serves as a background for the more substantial technical discussion in Section Two.

Though I do enjoy Tait’s films and find her work compelling, I should emphasise that I am not concerned with providing a critique of Margaret Tait’s films nor a complete overview of her life and work. I deem that to be a quite different paper and one I am not interested in writing. My main purpose here is to trace the technical developments Tait made in her filmmaking and show how an understanding of her practices can help in the restoration and preservation of her films. I hope this paper also demonstrates that the biographical is inseparable from the technical and for the Archivist, these two approaches to Tait’s work are again inseparable from the ethical and philosophical dimensions of the idea of permanence.

Preserving the Hand Painted Films of Margaret Tait

A co-operatively run 'Social Science Centre'

UPDATE (01/02/2011): This idea is now developing into an autonomous Social Science Centre. Click here for the website.

The university has a staff suggestion scheme that rewards good ideas from staff. I’ve just submitted a proposal to the university for help in setting up a Social Science Centre. This is based loosely on an unsuccessful bid to HEFCE that we made a couple of months ago to develop an ‘academic commons’ of sustainable, co-operatively run centres for higher education, somewhat based on the Social Centre model. Initially, as you’ll see below, we’re proposing that courses are run in existing public spaces, with a view to buying or renting a city-centre property further down the line. Attached to this (preferably on the premises) would be some kind of co-operatively run business (I like the idea of a decent bakery – you can’t buy real bread in Lincoln), which would bring in an income to help cover running costs and act as a way to connect with local residents apart from and beyond the educational provision of the Centre.

Anyway, here’s a brief overview of the idea which we’re keen to develop over the next year. If you’re interested and in Lincoln, then a few of us are meeting In Lincoln at 5pm on the 25th September to discuss the practicalities of this idea further. Members of the Cowley Club and Sumac Centre will be there to talk about their experience setting up their respective Social Centres. Email me for more details.

The proposal is that the university support the development of an independent Social Science Centre in Lincoln. The Social Science Centre will offer credit bearing courses in Sociology, Politics and Philosophy, programmes not currently available as part of the University of Lincoln’s portfolio. A key aspect of the Centre is that students would not pay any tuition fees. The Centre would be community based, utilising already existing public spaces in Lincoln, e.g., libraries, museums, schools, community centres. The Centre will be ran as a co-operative, involving local people in the managing and governance of this provision. The courses will be provided by academic members of the co-operative on a voluntary basis. The role of the university will be to provide accreditation for the programmes and an advisory role in establishing the centre as well as an ongoing supportive input. There will be no direct ongoing costs for which the university will be liable. An important principle for the Centre is that it is sustainable and, for that reason, the number of students will not exceed twenty in any academic year. It is intended that this model of sustainable, co-operatively run centres for higher education will act as a catalyst for the creation of other centres for higher education.

Digitising 'Common Sense' (pt.II)

Since writing about my intention to digitise the journal, Common Sense, I’ve received support from former editors, Richard Gunn, Werner Bonefeld, Adrian Wilding and Brian McGrail, who between them have sent me the entire run of 24 issues. Using our library’s book scanning facilities, I’ve managed to scan all issue of the journal much quicker than I originally anticipated.

24 issues with around 2100 pages, 200 articles and 104 authors, over 12 years.

The format of the journal changed twice during the course of its life. Issues 1-9 were photocopies of original typed articles that contributors would send to the editors. The first three issues were stapled along the edge of A4 sheets and proved difficult at times to scan because this method of binding did not leave very much margin when pressing the page flat against the scanner bed. Issues 4-9 were easier because they were stapled in the middle of an A3 sheet and would open nicely for lying flat on the scanner. Issues 7-9 were especially easy because contributors seemed to consistently take notice of the editors’ request to leave wide margins.

Notes for contributors: send articles in clean and reproducible typescript, single-space or space-and-a-half (not double-space). Leave wide margins on both sides, and wide gaps at top and bottom of each page.

Issues 10-24 were published in a more conventional journal format and this left enough room at the margins to achieve a consistently good scan and a single issue could be scanned in about 30 mins, half the time that issues 1-3 took.

The journal was scanned at 300dpi using a Plustek Optibook 3600 scanner to create bitmap files of each page. I then used Adobe Acrobat 7 to OCR and create PDFs. This provided pages that are print quality should you wish to print them out, as well as being fully searchable. I regularly cropped pages from earlier issues with the problematic margins using Acrobat to leave a relatively clean page, although at times, you’ll see that there’s barely any margin at all. Without taking the original issues apart, I don’t think I could have done much better.

I’ve also created a website for the journal, hosted here on the University of Lincoln’s blogging platform, with a mapped domain of http://commonsensejournal.org.uk that costs £5/year. I’ve tried to make the journal easy to navigate and you can browse by issue, author and date of publication. You can also search the table of contents across the entire run of 24 issues. I’ve been playing with Google Custom Search, which should provide a way to search the full text of the journal from the website. This largely depends on when Google decides to index the PDFs 1 though and so I won’t implement this until I know the full text for all issues is indexed.

The original paper copies of the journal will be deposited with either the National Library of Scotland or the British Library, depending on what they currently hold.

Finally, Mike Neary (who introduced me to the journal) and I, intend to write an article which retrospectively discusses the journal and hopefully provides a useful, critical introduction to new readers. Past editors and contributors have offered to help.

Digitising Common Sense. Journal of the Edinburgh Conference of Socialist Economists

Last week, I wrote to Werner Bonefeld, seeking a couple of articles that were published in Common Sense. Journal of the Edinburgh Conference of Socialist Economists. This journal is pretty hard to come by these days. Back-issues are limited and relatively few of the articles exist on the web. It was published from 1987 to 1999, over 24 issues of about 100 pages each. As you can see from the image, early issues (one to nine) look more like an A4, photocopied zine than an academic journal, but later issues take the more traditional form and were distributed by AK Press. A few articles were collected and published in 2003.

In my email to Werner, I mentioned that if I could get my hands on whole issues of the journal, I would digitise them for distribution on the web. As an editor of the journal, Werner was grateful and said that copyright was not a problem. I didn’t realised that Werner would send quite so many issues of the journal, but yesterday 15 of the 24 issues of Common Sense arrived in the post, along with a copy of his recent book, Subverting the Present, Imagining the Future.

My plan is to create high quality digital, searchable, versions of every issue of Common Sense over the next few months and offer them to Werner for his website, or I can create a website for them myself. I’ve done a lot of image digitisation over the years but not text. If you have some useful advice for me, please leave a comment here. I’ll also seek advice from the Librarians here, who have experience digitising books.

I have issues 10 to 24 (though not 11) and issue five. To begin my hunt for missing copies, I’ve ordered issues 1,2 & 3 from the British Library’s Interlibrary Loan service. An email this morning told me that the BL don’t have copies of the journal and are hunting them down from other libraries. We’ll see what they come up with. If you have issues 1,2,3,4,6,7,8,9 or eleven, I’d be grateful if you’d get in touch. It would be good to digitise the full set and I’ll return any copies that I’m sent.

Why go to all this trouble?

Well, Common Sense was an important and influential journal “of and for social revolutionary theory and practice, ideas and politics.” In issue 21, reflecting on ten years of Common Sense, the editorial stated that:

Our project is class analysis and we aim to provide a platform for critical debates unfettered by conventional fragmentations of knowledge (either into ‘fields’ of knowledge or ‘types’ of knowledge, e.g. ‘academic’ and ‘non-academic’). This continuity in the concepts of class struggle and social change flies in the face of most interpretations of the last 10 years.

When the journal switched from A4 to A5 size, in May 1991 with issue ten, the editorial collective reflected on the first few years of the journal.

Common Sense was first produced in Edinburgh in 1987. It offered a direct challenge to the theory production machines of specialised academic journals, and tried to move the articulation of intellectual work beyond the collapsing discipline of the universities. It was organised according to minimalist production and editorial process which received contributions that could be photocopied and stapled together. It was reproduced in small numbers, distributed to friends, and sold at cost price in local bookshops and in a few outposts throughout the world. It maintained three interrelated commitments: to provide an open space wherein discussion could take place without regard to style or to the rigid classification of material into predefined subject areas; to articulate critical positions within the contemporary political climate; and to animate the hidden Scottish passion for general ideas. Within the context of the time, the formative impetus of Common Sense was a desire to juxtapose disparate work and to provide a continuously open space for a general critique of the societies in which we live.

The change in form that occurred with issue ten was a conscious decision to overcome the “restrictive” aspects of the minimalist attitude to production that had governed issues 1 to 9, which were filled with work by ranters, poets, philosophers, theorists, musicians, cartoonists, artists, students, teachers, writers and “whosoever could produce work that could be photocopied.” However, the change in form did not mark a conscious change in content for the journal, and the basic commitment “to pose the question of what the common sense of our age is, to articulate critical positions in the present, and to offer a space for those who have produced work that they feel should be disseminated but that would never be sanctioned by the dubious forces of the intellectual police.” Further in the editorial of issue ten, they write:

The producers of Common Sense remain committed to the journal’s original brief – to offer a venue for open discussion and to juxtapose written work without regard to style and without deferring to the restrictions of university based journals, and they hope to be able to articulate something of the common sense of the new age before us. Common Sense does not have any political programme nor does it wish to define what is political in advance. Nevertheless, we are keen to examine what is this thing called “common sense”, and we hope that you who read the journal will also make contributions whenever you feel the inclination. We feel that there is a certain imperative to think through the changes before us and to articulate new strategies before the issues that arise are hijacked by the Universities to be theories into obscurity, or by Party machines to be practised to death.

Why ‘Common Sense’?

The editorial in issue five, which you can read below, discusses why the journal was named, ‘Common Sense’.

Hopefully, if you’re new to Common Sense, like me, this has whetted your appetite for the journal and you’re looking forward to seeing it in digital form. In the meantime, you might want to read some of the work published elsewhere by members of the collective, such as Werner Bonefeld, John Holloway, Richard Gunn, Richard Noris, Alfred Mendes, Kosmas Psychopedis, Toni Negri, Nick Dyer-Witheford, Massimo De Angelis and Ana Dinerstein. If you were reading Common Sense back in the 1990s, perhaps contributed to it in some way and would like see Common Sense in digital form so that your students can read it on their expensive iPads and share it via underground file sharing networks, please have a dig around for those issues I’m missing and help me get them online.


Common Sense

The journal Common Sense exists as a relay station for the the exchange and dissemination of ideas. It is run on a co-operative and non-profitmaking basis. As a means of maintaining flexibility as to numbers of copies per issue, and of holding costs down, articles are reproduced in their original typescript. Common Sense is non-elitist, since anyone (or any group) with fairly modest financial resources can set up a journal along the same lines. Everything here is informal, and minimalist.

Why, as a title. ‘Common Sense’? In its usual ordinary-language meaning, the term ’common sense’ refers to that which appears obvious beyond question: “But it’s just common sense!”. According to a secondary conventional meaning, ‘common sense’ refers to a sense (a view, an understanding or outlook) which is ‘common’ inasmuch as it is widely agreed upon or shared. Our title draws upon the latter of these meanings, while at the same time qualifying it, and bears only an ironical relation to the first.

In classical thought, and more especially in Scottish eighteenth century philosophy, the term ‘common sense’ carried with it two connotations: (i) ‘common sense’ meant public of shared sense (the Latin ‘sensus comunis‘ being translated as ‘publick sense’ by Francis Hutcheson in 1728). And (ii) ‘comnon sense’ signified that sense, or capacity, which allows us to totalise or synthesise the data supplied by the five senses (sight, touch and so on) of a more familiar kind. (The conventional term ‘sixth sense‘, stripped of its mystical and spiritualistic suggestions, originates from the idea of a ‘common sense’ understood in this latter way). It is in this twofold philosophical sense of ‘common sense’ that our title is intended.

Continue reading “Digitising Common Sense. Journal of the Edinburgh Conference of Socialist Economists”

The student as producer: reinventing the student experience in higher education

With Mike Neary

In this chapter, we set out to provide an overview of recent critical responses to the corporatisation of higher education and the configuration of the student as consumer. We also discuss the relationship between the core activities of teaching and research and reflect on both nineteenth century discourse and more recent efforts to re-establish the university as a liberal humanist institution, where teaching and research are equal and fundamental aspects of academic life. While recognizing recent efforts which acknowledge and go some way to addressing the need for enquiry-based learning and constructivist models of student participation, we argue that a more critical approach is necessary to promote change at an institutional level. This critical approach looks at the wider social, political and economic context beyond the institution and introduces the work of Benjamin and other Marxist writers who have argued that a critique of the social relations of capitalist production is central to understanding and remodelling the role of the university and the relationship between academic and student. The idea of student as producer encourages the development of collaborative relations between student and academic for the production of knowledge. However, if this idea is to connect to the project of refashioning in fundamental ways the nature of the university, then further attention needs to be paid to the framework by which the student as producer contributes towards mass intellectuality. This requires academics and students to do more than simply redesign their curricula, but go further and redesign the organizing principle, (i.e. private property and wage labour), through which academic knowledge is currently being produced. An exemplar alternative organizing principle is already proliferating in universities in the form of open, networked collaborative initiatives which are not intrinsically anti-capital but, fundamentally, ensure the free and creative use of research materials. Initiatives such as Science Commons, Open Knowledge and Open Access, are attempts by academics and others to lever the Internet to ensure that research output is free to use, re-use and distribute without legal, social or technological restriction (www.opendefinition.org). Through these efforts, the organizing principle is being redressed creating a teaching, learning and research environment which promotes the values of openness and creativity, engenders equity among academics and students and thereby offers an opportunity to reconstruct the student as producer and academic as collaborator. In an environment where knowledge is free, the roles of the educator and the institution necessarily change. The educator is no longer a delivery vehicle and the institution becomes a landscape for the production and construction of a mass intellect in commons.

Published in The Future of Higher Education: Policy, Pedagogy and the Student Experience

Download this chapter