Compassionate Communities, Lincolnshire

Over the summer I have been trying to look at Lincolnshire through the public health concept of ‘Compassionate Communities’ (or ‘Compassionate Cities’), first written about 20 years ago. Compassionate Communities are a form of ‘public health palliative care’ that reframes death and dying as primarily a social experience rather than a physical experience. In practice, they are usually different types of community development projects that aim to improve a population’s understanding and experience of death, dying, loss, and caregiving. Advocates of this approach argue that end-of-life care is everyone’s responsibility, but what does that mean in practice, in the lives of individuals and the life of a community? What does it look like in Lincoln and Lincolnshire?

A startling observation, made by Allan Kellehear (2022), is the ‘95% rule’:

“Overall… dying people spend less than 5% of any one day in front of a doctor or nurse… For dying patients, their caregivers, and the bereaved, this will always mean that over 95% of their time is spent alone, with friends and other family, with neighbours or work colleagues, with animal companions, or with the internet or the television.”

One way of responding to this is to consider the death literacy of a community. Death literacy is defined as: “the knowledge and skills that people need to make it possible to gain access to, understand, and make informed choices about end of life and death care options.” (Noonan et al., 2016) There is a set of questions you can ask yourself here.

It’s the public health education component of this that interests me, enabled through community development work. In the death literacy framework, it’s referred to as ‘social action’ and ‘community knowledge’. How do we become better at talking about dying, caring for those who are dying, and caring for the carers, too?

I’ve written up what we’ve found so far. It’s the start of something.

An Exploratory Report for Compassionate Communities in Lincolnshire

Appendix 1, Appendix 2, Appendix 3, Appendix 4

Leicester MusicFest

I’ll be going to Leicester MusicFest for the third year running. It is held 14th-16th February and is a friendly and supportive event with classes and competitions.

Roy Courtnall always makes a guitar to be given as a prize and there is some very good quality classical guitar playing at the Advanced Guitar Recital on the first day. I’ll be attending on the Sunday, when Rob Johns will be playing the flamenco guitar I made for him. Adrian Lucas will also be attending, as Rob will be playing one of his steel-string instruments.

Rob will demonstrate playing different styles on different guitars including classical guitar, authentic flamenco, and steel-string.

An eclectic mix from Bach to Blues, we will ask and try to answer ‘what is the difference between the acoustic guitars?’, and ‘are they really that different?’

So whatever your jam, come and join us for this friendly demo!

This is likely to be a similar event to that which we did at The Collection, Lincoln, at the start of the year.

New Monday Art Group

Rob Johns (foreground), Adrian Lucas (middle), Roy Courtnall Summerfield (background)

I joined Lincolnshire-based luthiers, Roy Courtnall Summerfield and Adrian Lucas, and musician and teacher, Rob Johns, at the New Monday Art Group. We were invited to talk about guitar-making and listen to pieces played by Rob on classical, steel-string and flamenco guitars made by Roy, Adrian and myself. We talked about the history of guitar design, my research into the teaching and learning of guitar-making and then listened to over half an hour of guitar-playing. It was a surprisingly popular event for a Monday morning, with over 50 people attending.

Click on the image to download my slides.

Thank you to Roy Courtnall for the invitation to contribute to the event and to Shan Dixon of the New Monday Art Group for organising it.