I’ll be going to Leicester MusicFest for the third year running. It is held 14th-16th February and is a friendly and supportive event with classes and competitions.
Roy Courtnall always makes a guitar to be given as a prize and there is some very good quality classical guitar playing at the Advanced Guitar Recital on the first day. I’ll be attending on the Sunday, when Rob Johns will be playing the flamenco guitar I made for him. Adrian Lucas will also be attending, as Rob will be playing one of his steel-string instruments.
Rob will demonstrate playing different styles on different guitars including classical guitar, authentic flamenco, and steel-string.
An eclectic mix from Bach to Blues, we will ask and try to answer ‘what is the difference between the acoustic guitars?’, and ‘are they really that different?’
So whatever your jam, come and join us for this friendly demo!
This is likely to be a similar event to that which we did at The Collection, Lincoln, at the start of the year.
For the past six months, I have been learning to play the (classical) guitar. I played electric guitar for a couple of years when I was a teenager and have tried to return to playing a few times since then. This time, I have the benefit of a superb teacher who has reminded me (now from the point of view of being a student), how inspiring and encouraging a teacher can be who still finds enjoyment in what they teach and wants to pass that excitement and curiosity onto others. I am approaching it as an education in music, with the guitar being the instrument through which I hopefully come to understand and appreciate music more fully. It seems to be working.
I am not studying towards particular music grades, but it is interesting to see what pieces of music are aligned with each grade. The piece below is one of the select few to be included in the syllabus/repertoire for Trinity’s Performance Diploma. It is for the Fellowship level (FTCL), “equivalent in standard to a postgraduate course at a conservatoire or university.” I really like a number of pieces on the FTCL list, but Sonata for Guitar, Op. 47 (1976) by Alberto Ginastera, stands out as a current favourite. The video below is interesting because it shows the complexity of the score as the music is being played. I may never be able to play something as difficult as this, but that’s not really the point. I’m learning to listen as well as play and compose, and that has already opened up a new world to me.