Joss Winn

Co-operative university discussion at #DPR14

I led a discussion at the Discourse, Power and Resistance conference last week, which rested on the question of whether a ‘co-operative university’ is an appropriate and adequate response to the crisis of higher education. The discussion was rich and engaging and consequently my notes are sparse and banal, but I will try to collect a few thoughts here now.

The conference was comprised of academics, educators and activists who share a mutual sense of despair, anger, irritation, and fear for the future of higher education in the UK and elsewhere (the conference was 50% non-UK delegates). The opening keynote for the conference from Prof. Richard Pring set the tone by detailing and lamenting the various neoliberal reforms that have occurred across the education sector in the last two decades. While taking questions, one delegate asked the obvious question: “So, what is to be done?” Pring had no real answer, except to propose that a professional ‘council’ be established to protect the interests of the profession. Understandably dissatisfied with that response, someone else said that it required educators to engage in acts of subversion and that many of us are already doing so. We should recognise that the classroom still remains a space of relative autonomy. I wasn’t convinced by that. It may be the case, but those days are numbered. Finally, someone else appealed to us all to organise and strike.

In that context, our discussion the next morning about co-operative higher education had something to kick against. Might the idea of a co-operative university, or more generally, co-operative higher education in a variety of forms, be another, more adequate response to the question: “So, what is to be done?”? As I’ve noted before, I think it could be and the general tone among the 15-20 participants during our hour-long discussion was one of curiosity and interest.

I first introduced the idea with a handful of slides:

For a co-operative university? from Joss Winn

As you can see, I proposed that there are three ways to think about and plan for a co-operative university:

Conversion: Constitute universities on co-operative values and principles. Read Dan Cook’s report: ‘Realising the co-operative university‘.
Dissolution: Radicalise the university from the inside, starting with the relationship between academics and students. Read about Student as Producer.
Creation: Build experiments in higher education outside the financialised sector. Read about the Social Science Centre.

Throughout the discussion, I kept the slide containing the co-operative movement’s values and principles on the screen so as to establish some of the constitutional features of a co-operative university.

Participants spoke about their own efforts at establishing those values and principles in their current work, ranging from individual efforts in the classroom, the design of degree programmes and the establishing of formal centres within their institutions. Broadly, these came under the ‘Dissolution’ route and in my case I spoke about Student as Producer as such an example.

Given the news headlines over the last few weeks about the financial problems of the Co-operative Group UK, it was inevitable that this was brought up and participants rightly questioned whether the co-operative movement remained an oppositional, if not radical, response to capitalism. My own view is that despite the current crisis in the UK’s co-operative group, the co-operative movement as a whole, including its rich history and internationalism, has much to offer and inspire radical educators. I am under no illusion that it is the ‘answer’ to the crisis of capital, but the values and principles; the movements’ relationship with socialism and its members’ deep sense of politics; its commitment to education; and its variety of constitutional forms, do seem to offer a useful framework for pursuing democratic control over the future of higher education and its institutions. Yes, co-operatives necessarily operate within the logic of capital, but they exist in contestation with it. Since the movement’s origins, their very existence is a critique of capitalism in practice. One participant in the discussion remarked that it’s “impossible” to exist outside capitalism. Another responded: “The fact that it’s ‘impossible’ means that we should keep trying!”

Other points of discussion touched on the role of students, who are “increasingly self-commodifying” – how can we work with them to realise an alternative form of higher education? Where are the students at DPR? Does their opinion matter at this stage or is this more about academics determining their own future first and foremost? We should be “bold and resolute” with students. What is the university for? Knowledge? The re-production of labour power? What does work look like in the future? Some participants had “given up on the university” and saw the future as one, not in dialogue with the institution but with students. We were reminded that “there will be dangers” as we move forward.

Final call for contributions to a book on “Mass Intellectuality: The democratisation of higher education”

This is a final call for contributions to a book on “Mass Intellectuality: The democratisation of higher education” that Richard Hall and I are pulling together. More details are available here.

The book aims to provide international critiques and accounts of the crisis in higher education, with a focus on the creation of alternative forms. Its premise is that globally, higher education is increasingly unaffordable, its historic institutions are becoming untenable, and their purpose is resolutely instrumental. What and who have led us to this crisis? What are the alternatives? To whom do we look for leadership in revealing those alternatives?

The book’s starting point is that mass higher education is at the point where it no longer reflects the needs, capacities and long-term interests of society. An alternative role and purpose is required, based upon ‘mass intellectuality’ or the real possibility of democracy in learning and the production of knowledge.

We welcome anyone who is involved with and/or working on alternative higher education projects such as free universities, transnational collectives, occupied spaces, and co-operatives for higher education to contribute to the book. We also welcome those who are working inside the University to provide critical analyses of recent and existing efforts to develop alternatives to mainstream higher education.

If you would like to contribute to the book, please email me as soon as possible. We will then be in-touch about submitting an abstract connected to intellectual leadership in higher education by 10 May.

NOTE: whilst Richard and I both work in UK higher education, we would welcome a range of voices in the development of the book. International, critical engagements with intellectual leadership are central to this project.

Michael Heinrich on Marx’s revolution in science

Around 14 minutes in, Heinrich, a Prof. of Economics, talks about a Marx’s work as a “scientific revolution in the history of science”. This revolution was characterised as a questioning of concepts that were taken for granted, so much so that those concepts had been naturalised and were no longer discussed. Marx criticised not only particular theories in political economy but the whole approach to political economy. In summary, he made a scientific break with the following four classical assumptions:

Human essence. In modern economics, the human is always seen as a utility maximiser. Marx argued there is no human essence.
Individualism. Marx argued against methodological individualism i.e. starting from the individual from whom you construct social relations.
Empiricism. Marx was a forerunner of using empirical data but argued that scientific understanding of political economy requires much more. Society is not a transparent thing that data alone can reveal. There are mystifications, fetishism, and so on.
Historicism. Mainstream economics is still an ahistorical science. Neo-classical economics see problems the same across time. Marx argues there are very different historical logics of society and economy.

All of this was (and is still) taken for granted but was put into question by Marx.

Heinrich’s introduction to Capital is very good.

Small gauge

Sometimes I find myself returning to film, wishing I still had my Bolex, Beaulieu or Nizo. Wonderful, mechanical, precision engineering you can hold in your hands.

Beaulieu4008 — Beaulieu 4008 ZM4 Super 8mm camera

The cost of film stock, processing and transfer to print or digital video is relatively expensive compared to digital video (approx. £70/3mins). However, artist films needn’t be long. Why not make films that are just a minute or two long?

Recently, while day-dreaming of Bolex Rex-5 cameras, I came across no.w.here, a critical film-maker’s haven, for laboratory facilities, telecine, and educational programmes. A wonderful looking past project brought Jonas Mekas to London to talk with young adults about “working with the diary film form as a cinema of free and poetic self-expression.”

It reminded me of a similar workshop I took part in at Image Forum, Tokyo, over two weeks in 1999. Each of us made a short film on 100 feet (2:45mins) of 16mm film. Mine was an exercise in film form, and a couple of years later the film ended up slotted into a longer film as shown below at 9:01 mins.

My workshop film is very simple. The camera remained static on a tripod and six different people took it in turns to stand in front of the camera. I started off by filming one frame of each of the six people as they rotated in front of the camera, and then two frames of each of them, and then three frames, and so on, up to 24 frames. The last time you see each person is for exactly one second or 24 frames. Or rather, it would be if you were watching the original projected film; the transfer to video changes the form temporally as well as materially. What should be exactly 75 seconds (1800 frames) becomes 72 seconds because PAL video runs at 25fps not 24fps. Given its entire purpose was to explore the exacting, mechanical and temporal attributes of film, its temporal form is technically destroyed when transferred to video.

It’s been over a decade since I worked with film, but I retain a strong attachment to small gauge (8, Super-8, 9.5 and 16mm) film and its social history. It can be the most beautiful and poetic of personal, artistic mediums. You may disagree, but have you seen films by Stan Brakhage, Peter Hutton, Nathaniel Dorsky or Jonas Mekas?

Take, for instance, Brakhage’s hand-painted films, or his more visceral ‘The Act of Seeing With One’s Own Eyes‘, or ‘Window Water Baby Moving‘, or this extract below from Mekas’ ‘Walden/Diaries, Notes and Sketches’.

To show you these films as video, streamed on the web, is to offer you the content disembodied from the form. It is a lie. We know what the film is about but we don’t know what it is to see. This is no more obvious with Peter Hutton’s ‘At Sea’, which may be watched below, but not seen.

Financialising the university: What is to be done?

Andrew McGettigan concludes his article on financialisation and higher education with:

“I am frequently asked, ‘what then should be done?’ My answer is that unless academics rouse themselves and contest the general democratic deficit from within their own institutions and unless we have more journalists taking up these themes locally and nationally, then very little can be done. We are on the cusp of something more profound than is indicated by debates around the headline fee level; institutions and sector could make moves that will be difficult, if not impossible, to undo, whether it is negotiated independence for the elite or shedding charitable status the better to access private finance.”

This is a similar conclusion to that of Brenna Bhandar writing on the LRB blog:

“If there is anything alluring about property as a form, it lies in its mutability, its capacity to be something other than private and exclusive. It is in all our interests to support students, academic and support staff, outsourced cleaners and others in their struggles to reconfigure the ownership of the university, and seize democratic forms of governance the better to create and distribute the social goods that we produce collectively, in spite of current government policies and management strategies.”

There are three responses to this that I can suggest:

Conversion: Constitute universities on co-operative values and principles. Read Dan Cook’s report: ‘Realising the co-operative university‘.
Dissolution: Radicalise the university from the inside, starting with the relationship between academics and students. Read about Student as Producer.
Creation: Build experiments in higher education outside the financialised sector. Read about the Social Science Centre.

Conference: Co-operation and Higher Education, April 26th, Lincoln

Just a final reminder that the Social Science Centre is hosting a free conference on the theme of ‘Co-operation and Higher Education’, April 26th, 10.30-4.30pm, at The Collection, Lincoln’s museum and art gallery.

I would love to see you there!

More details and registration here…

Is the worker co-operative form suitable for a university? (Part 3)

In some earlier notes, I asked whether the worker co-operative form is suitable for a university in light of how the international co-operative movement defines the ‘character’ of worker co-operatives and the re-conceptualisation of academic labour that this organisational form would imply. I asserted that the university is already a means of production which capital employs together with academic labour to re-produce labour in the form of students, and value in the commodity form of knowledge. A worker owned co-operative university would therefore control the means of knowledge production and potentially produce a new form of knowledge.

I also summarised the values and principles of the co-operative movement as a whole, noting that they are (for most individuals) aligned with academic values and principles. I highlighted the emphasis among worker co-operatives on ‘common ownership’ as a form of property relations which overcomes the distinction between ‘public’ and ‘private’ to produce an ‘academic commons’. I pointed to the ways in which such a worker co-operative university might be governed, the integration of co-operative values and principles into the curriculum and other organisational practices (cf. Facer (2011[/note] and outlined three ‘routes to co-operation’: conversion, dissolution, creation. Finally, I suggested that the distinction between teacher and student would necessarily be dissolved and with it the division of labour, too. Assuming this was the case, a radically different method of curriculum development and pedagogy would be required. Drawing on Kasmir’s reflections on Mondragon, the Spanish worker co-op, that we should “be skeptical of models that make business forms rather than people the agents of social change”, it follows that the organisational form of a ‘co-operative university’ should itself be derived from the pedagogical relationship between teacher-student-scholar-members i.e. ‘scholars’. I suggested that the basis of this pedagogical relationship might be work I have been involved in referred to as ‘Student as Producer’.

Student as Producer

“The idea of student as producer encourages the development of collaborative relations between student and academic for the production of knowledge. However, if this idea is to connect to the project of refashioning in fundamental ways the nature of the university, then further attention needs to be paid to the framework by which the student as producer contributes towards mass intellectuality. This requires academics and students to do more than simply redesign their curricula, but go further and redesign the organizing principle, (i.e. private property and wage labour), through which academic knowledge is currently being produced.” (Neary & Winn, 2009, 137)

In these notes I want to review the work of my colleague, Mike Neary, who conceived and developed ‘Student as Producer’ and has subsequently led a project to implement research-based teaching and learning across our entire institution. Here, I want to focus on the theoretical development of Student as Producer and consider its suitability and utility as the pedagogical basis on which a worker co-operative for higher education might be developed. In order to do this, I work my way chronologically through several substantive pieces of writing about Student as Producer.

In each reading, I try to glean specific features of Student as Producer as it has developed, which seem relevant to my overarching question: ‘Is the worker co-operative form suitable for a university?’ I do not attempt to fully answer the question in this series of posts, but rather identify points, issues, questions and considerations for further exploration.

Linked to this blog post are seven subsequent sets of notes, covering seven of Neary’s articles and one keynote transcript. Click on the article title to go to each set of notes. It amounts to around 15,000 words and so it may be preferable to read it in PDF format. If you wish to cite them, please treat them as “preliminary notes”. Thank you.

1a. Neary, Mike (2008) Student as producer – risk, responsibility and rich learning environments in higher education. Articles from the Learning and Teaching Conference 2008. Eds: Joyce Barlow, Gail Louw, Mark Price. University of Brighton Press. Centre for Learning and Teaching

1b. Neary, Mike and Winn, Joss (2009) The student as producer: reinventing the student experience in higher education. In: The future of higher education: policy, pedagogy and the student experience. Eds. Bell, Neary, Stevenson. Continuum, London, pp. 192-210.

2. Neary, Mike and Hagyard, Andy (2010) Pedagogy of Excess: An Alternative Political Econom y of Student Life. In: The Marketisation of Higher Education and the Student as Consumer. Eds. Molesworth, Scullion and Nixon. Routledge, Abingdon, pp. 209-224.

3. Neary, Mike (2010) Student as Producer: a pedagogy for the avant-garde; or, how do revolutionary teachers teach? Learning Exchange, Vol. 1, No. 1.

4. Neary, Michael (2012) Teaching politically: policy, pedagogy and the new European university. Journal for Critical Education Policy Studies, 10 (2). pp. 233-257.

5. Neary, Michael (2012) Student as producer: an institution of the common? [or how to recover communist/revolutionary science]. Enhancing Learning in the Social Sciences.

6. Neary, Mike and Amsler, Sarah (2012) Occupy: a new pedagogy of space and time? Journal for Critical Education Policy Studies, 10 (2)

7. Neary, Mike (2013) Student as Producer: a pedagogy for the avant-garde; or, how to revolutionary teachers teach? [v2] Paper presented at Walter Benjamin, Pedagogy and the Politics of Youth conference, London. [unpublished]

Student as Producer (7)

See an introduction to this series of notes here.

7. Neary, Mike (2013) Student as Producer: a pedagogy for the avant-garde; or, how to revolutionary teachers teach? [v2] Paper presented at Walter Benjamin, Pedagogy and the Politics of Youth conference, London. [unpublished]

In the 2010 article of the same title, the avant-garde Marxism of Benjamin and Vgotsky is referred to as an “antidote to the dogmatic assumptions of traditional Marxism, as well as the psychologism and the positivism of empirical social science, both of which dominate current research into higher education.” (Neary 2010) This later 2013 ‘v2’ conference paper is an attempt to critique the ‘productivism’ which characterises traditional Marxism and from which even Benjamin and Vygotsky did not escape. Yet key to the work of Benjamin and Vygotsky and subsequently Neary is the transformation of the student into a radical subject, one who understands their central place and purpose in the process of knowledge production. In undertaking this, Neary concludes that

“an important aspect of the fabrication/construction of the radical subject lies in the reappropriation of ‘general social knowledge’: or, the recovery of ‘the idea of the University’, as a radically new form of social institution grounded in an historical and materialist pedagogy which can provide the basis for a revolutionary form of teaching.” (Neary 2013: 2)

He introduces Student as Producer as a project that works on a number of different levels:

A model for curriculum development
A framework for while institutional change
The reinvention of the ‘idea of the university’ as a radical political project.

Outwardly, the project “appears quite mundane”, as “it involves embedding research and research-like teaching across all aspects of the undergraduate curriculum, so that students become part of the academic culture and practice of the institution.” (Neary 2013: 3)

As we have seen from earlier papers, the purpose of Student as Producer extends beyond the routine processes of university life. It is not confrontational but rather, a subversive project, a “negative critique” of higher education that exists within the context of a number of constraints:

The labour contract
Management structures
Government regulation (QAA protocols) around student engagement
External social, political and economic crises

Neary draws attention to the work of Benjamin, providing much more insight into the formulation of the original ideas behind Student as Producer. I will not reproduce the passages here, but needless to say, The Life of Students and Author as Producer remain key texts for a deep appreciation of Student as Producer, and although it would be going over old ground here, this 2013 conference paper is the clearest expression yet of the relevance of Benjamin to our current moment.

What is new to this paper is Neary’s critique of Benjamin and Vygotsky’s ‘productivism’. Writing the paper for a Benjamin conference, Neary reviews the work of other Benjamin scholars and concludes that while it can be

“rich and revealing… it tends to lack the avant-garde Marxist spirit that informs this crucial period of Benjamin’s work: with a tendency for taking on the melancholy and pessimistic characteristics for which Benjamin is renowned.” (Neary 2013: 14)

The latter half of the paper is devoted to an engagement with ‘avant-garde Marxists’ (“by which I mean Marxist scholarship that seeks to get beyond Marx through Marx”).

The work of Moishe Postone is introduced and highlighted for the way in which the concept of abstraction (i.e. non-empirical reality), rather than alienation, lies at the centre of his interpretation of Marx:

“This focus on the non-empirical aspect of Marx’s theory demonstrates the the violence of abstraction, as a real (im)material process of social mediation out of which emerge the repressive structures and institutions of capitalist modernity.” (Neary 2013: 16)

Postone undertakes a sustained critique of what he calls the “productivist paradigm” of “traditional Marxism”. By this he means the dominant version of Marxism that has affirmed labour (i.e the proletariat/working class) as the revolutionary subject. Postone’s critique is against this paradigm, arguing for a critique of labour in capitalism. Neary states that,

“he does this by a reconstruction of capitalist forms, including value, abstract labour and capital itself, to reveal them as the outcome of a very determinate set of social relations, grounded in the commodity form. These capitalist forms include the apparently independent structures through which capitalist modernity is regulated: money and the state. His conclusion is that post- capitalist communist society is not the realisation of labour, but its historical abolition/negation.” (Neary 2013: 16)

Postone does not have much to say about Benjamin, but Neary connects the work of both writers through Benjamin’s friend, Georg Lukacs, who Postone engages with at length in much of his work. The critical point that Neary draws out is that through Lukacs’ influence, Benjamin succumbs to the tendency of traditional Marxism to reify and fetishise the proletariat. Despite their advances on orthodox Marxism, even avant-garde Marxists of the early 20th century like Benjamin and Lukacs, saw revolution “in terms of class relations structured by market economy and private ownership of the means of production.” (Postone 2003: 82)

“Relations of domination are understood primarily in terms of class domination and exploitation. Within this general framework, capitalism is characterized by a growing structural contradiction between that society’s basic social relations (interpreted as private property and the market) and the forces of production (interpreted as the industrial mode of producing).

The unfolding of this contradiction gives rise to the possibility of a new form of society, understood in terms of collective ownership of the means of production and economic planning in an industrialized context – that is, in terms of a just and consciously regulated mode of distribution adequate to industrial production. The latter is understood as a technical process that, while used by capitalists for their particularistic ends, is intrinsically independent of capitalism; it could be used for the benefit of all members of society.” (Postone 2003: 82)

The error of this, argues Postone, is that it offers no explanation for the problems faced by Socialist planners of the 20th century and is forever “in danger of reinventing another form of labour-producing society in less mediated forms: more immediate, violent and terrorist.” (Neary 2013: 18)

Benjamin’s work in The Life of Students and Author as Producer is concerned with the process of production and the realisation of historical subjectivity through the consumer assuming the creative role of producer. Drawing his Marxism largely from his friend Lukacs, Benjamin, too, remains stuck in the productivist paradigm.

Postone argues that the subject of the capitalist mode of production is capital itself, the self-valorisation of value; leading to a series of “quasi-independent” processes which subsume all of social life. “Therefore, it is not that the proletariat must be realised; but, rather, that the capital relation in total must be abolished.” (Neary 2013: 19) Neary examines what was at the centre of Marx’s work and subsequently developed by Lukacs and Postone: the commodity-form. Despite the commodity-form usually being characterised as use-value and exchange-value (i.e. value), Neary states that for Postone, what is key to understanding and overcoming the commodity-form is “the immanent nature of the value relation within which use value and exchange value are integrated. Or, to put it another way: abstract labour is the substance of value which must exist in a concrete form as a use value.” (Neary 2013: 19)

Abstract labour exists as a “real abstraction”; that is, a “quasi-independent” abstract determinate force which has real, historical and material outcomes. The ‘logic’ of capital is a totalising logic whereby labour as the substance of value, takes on abstract forms that reduce humanity to a resource for capital, rather than the project itself. Neary argues that,

“In capitalism human labour is essential for the valorisation process; however, in the process to increase productivity and avoid labour conflict, workers are expelled from work with their knowledge and capacity increasingly automated; this gives rise to intensification of work, unemployment, poverty and technological development; and forms of resistance, including the real possibility of a society of abundance rather than the logic of scarcity on which capitalism is based. Postone argues that the way in which work is organised is the logic of other quasi-independent structures that dominate and oppress workers, e.g., the Capitalist State.” (Neary 2013: 19)

The recurrent (i.e. permanent) contradiction and crisis of capitalism generates the possibility for the radical subject to emerge, “not as some intrinsic capacity that is inherent within the proletariat, but as a dynamic negative aspect of the capital relation.” (Neary 2013: 19)

“In a society where people have been controlled by the logic of production (Postone 1993: 284), it is likely that a new human emancipation will be a world that is not dominated by production, but a new form of human sociability with a new logic of social wealth. This will be political but the organisational/institutional forms have yet to be decided. Humanity can recover itself through different form of social wealth based on a different concept of usefulness/[uselessness] not defined within the capital relation (362).” (Neary 2013: 19)

The exact nature of this “different form of social wealth” is unknown but likely to be discovered in the “‘latent potential’ (364) of the use value dimension, no longer constrained and shaped by the value dimension…’ not in a utopia of labour, but ‘disposable time’: non-working time not dominated by the logic of work (leisure) but through a communist concept of wealth and sociability (the social individual).” (Neary 2013: 20)

In light of this, Neary argues that the university can be reconsidered

“not as an autonomous reified institution, but as form of the social relations of capitalist production, whose real nature has emerged out of the crisis ridden and contradictory organisational principle on which it is based: the commodity-form. Using Postone, the University can be seen as a quasi-independent structure that dominates academic labour and students through the way in which it exists as a factory for the commodification of knowledge. The domination of this quasi-independent structure endures only to the extent that ‘the latent potential’ of the use value relation can be contained, to prevent commodified knowledge being re- functioned as accumulated general social knowledge appropriated by the academic labour and students who have produced it.” (Neary 2013: 25)

Neary points to an article I have written which attempts to show how the university has indeed become a quasi-independent structure gradually subsumed during the 19th and 20th centuries under the logic of capitalist valorisation; a complex expression of the capital relation in the form of the ‘industrial-military-academic complex’. Yet within and out of this context, the contradictions of the academy produce the opportunity for the production of knowledge in a non-alienated form; knowledge which ‘escapes’ the valorisation process of the academy and carries with it intrinsic use-value for the production of a commons.

Following his discussion of Postone, Neary focuses on the work of John Holloway who, like Postone, attempts to “undermine the productivist reading of Marx, while maintaining the centrality of labour as the organising principle of capitalist society. This is done by taking the value/capital relation rather than the relationship between classes as the starting point.” (Neary 2013: 20-21)

Whereas Neary draws on Postone to understand capital as an ‘abstract determinate logic’, he draws on Holloway’s “critical reinterpretation of the law of value… as a social theory of everything”. (Neary 2013: 21) Both writers, argues Neary, are similar in their negative conception of the commodity-form as expressing the “intrinsic, immanent, contradictory and antagonistic relation between use and exchange value” (ibid) With this understanding of the commodity-form, which Marx referred to as the basic ‘cell-form’ of capitalist society, Neary points to Holloway’s focus on the necessity and potential for struggle amidst the contradictions and antagonisms of social life. Whereas Postone identifies the problem through theory alone, Holloway provides a practical way forward, or as Neary states:

“In order to find an attempt to connect revolutionary theory with revolutionary practice through a reading of avant-garde Marxism we need to look elsewhere. [i.e. Holloway]” (Neary 2013: 20)

For Holloway, the working-class (i.e. the creative capacity of human labour to produce use-values) “exists as negation of capital… in the form of being denied” (i.e. as abstract labour quantified as exchange value) (ibid 21-22). While he shares much of Postone’s emphasis on the real presence and force of abstraction in capitalist society as well as his anti-productivist/anti-labour critical standpoint, Holloway asserts the negative (i.e. positive), destructive (i.e. creative) ‘logic’ that is also intrinsic in the “uncontrollable and uncontainable alien force that extends beyond the act of economic exchange to all aspects of social life”. (Neary 2013: 23)

In conclusion, Neary argues that

“Holloway and Postone offer powerful accounts of Marx’s revolutionary theory against the productivist paradigm. Writing on the edge of the dialectic, each has a tendency to privilege one side or the other: with Holloway focussing on the concrete aspect of ‘doing’ and Postone on the power and violence of abstraction. What neither of them can do, is resolve or overcome the contradiction in their writing, because this is not only a theoretical problem, it is always and everywhere intensely practical.” (Neary 2013: 24)

The final section of this conference paper reflects on this “intensely practical” problem.

“Student as Producer feels like an impossible project. Almost everything about the current situation makes it impossible, but it is that very impossibility that makes it so necessary. And even in the face of impossibility it feels like much has been achieved. More than could have been imagined. Notably, the fact that the title for an English University’s teaching and learning strategy is a ripped off slogan from a 20th century Marxist feels like something of a triumph.” (Neary 2013: 25)

Neary goes on to discuss Student as Producer in terms of a “series of techniques”: “Re-engineering the process of production”; the creation of “real networks and forms of association”; the “recovery of a moral and ethical principles as academic principles, and linking them to the bureaucratic processes”; and attempting to “astonish academics, students and administrators through a revelation of the radical history of the university.” He argues that we must “recognise, with a teacherly attitude, that all of these devices are not merely technical instruments but are derived out of a peculiar social, material and historical process which must be theorised.” (Neary 2013: 25) Out of this peculiar, contradictory, antagonistic context, Neary argues that other institutional forms will emerge as a result of struggle that are themselves likely to express the negation of the commodity-form. Just as for Marx, capital contains the seed of its overcoming, so the institutional form of the modern university as an expression of capital also contains the revolutionary potential of accumulated knowledge which resists and exceeds the current institutional form of higher education.

“The substance which deconstructs or melts this institutional form is the creative doing of academic labour, a form of production based on the rage of academics and students against the capitalist machine; or as Holloway might put it the moment of life against the living death of capitalist production.

In these ways the university is a form of the crisis, which is part of a much wider social political and economic crisis, the outcome of which is far from certain. What happens inside of the University, including Student as Producer, depends on the outcome of this crisis. We should be in no doubt about the increasing economic and political violence that will be inflicted, is already being inflicted, as the crisis intensifies. During this time academics are being/will be forced to assess their own position and to make a choice…

This is a condition in which nothing is fixed: new revolutionary forms are already being cast, even if they might not appear revolutionary at the time.” (Neary 2013: 26-7)

The latter 2013 conference paper represents the most developed theoretical statement about Student as Producer and also reflects on the way Student as Producer has been practised both inside formal higher education and outside. since 2007. Starting out from the work of Benjamin, Neary has now found a way to go beyond the productivism implicit in ‘Student as Producer’ and the helplessness and potential dangers of hypostatising the ‘real’, the concrete, without a full, critical understanding of the “violence of abstraction”. There are a number of points that we can distil from this paper with regards to the suitability of the worker co-operative as an organisation form for a pedagogy based on Student as Producer.

Early avant-garde Marxists, Vygotsky and Benjamin, provide the pedagogical foundations for Student as Producer, which Neary has developed. With this paper, he argues with reference to Postone and Holloway’s work, that the ‘productivism’ of their Marxist theory should be the subject of critique in developing Student as Producer. This implies that the organisational form for Student as Producer should itself be anti-productivist or post-productivist. A worker co-operative would have to reflect on how this redefines ‘work’ and how the organisation can be constituted in a way that works towards abolishing exchange-value while asserting use-value as the form of social wealth derived from the concrete labour of its members. It would be a worker co-operative that sought to abolish capitalist work. Jossa and Egan’s writing on Labour Managed Firms are worth returning to.
The organisational form need to support ways to reconnect intellectual and manual labour and theory and praxis. Learning should take place through ‘practical tasks’, i.e. research-based learning that is grounded in historical and material conditions.
The distinction and divide between teachers and students should be addressed through a reconfiguration of the division of labour so as to ensure that both roles contribute according to individual capacity and need in the process of knowledge production. This does not deny that there are people who can teach and people who can learn from others, but the organisational form can constitute each as ‘scholars’ (i.e. members) whose needs and capacities are each recognised as part of the knowledge production process.
Student as Producer is a ZPD and the organisational form should be constituted so as to protect the ZPD and create a ‘safe’ space for members to contribute creatively.
The organisational form should support and express a number of reflexive techniques: “Re-engineering the process of production”; the creation of “real networks and forms of association”; the “recovery of a moral and ethical principles as academic principles, and linking them to the bureaucratic processes”; and attempting to “astonish academics, students and administrators through a revelation of the radical history of the university.”
In his notebooks, Marx wrote that “Production, then, is also immediately consumption, consumption is also immediately production. Each is immediately its opposite.” How can we understand the relationship between production and consumption?
Are production and labour synonymous? We need to be clear about the nature of labour and therefore the specific nature of production. As Hudis has shown, Marx said that ‘labour’ and its products would still exists post-capitalism, but they are non-alienated, not mediated by the abstractions of labour and value. How can an understanding of ‘indirect’ vs ‘direct labour’ help us re-conceive post-capitalist labour i.e. its “latent potential”?

Student as Producer (6)

See an introduction to this series of notes here.

6. Neary, Mike and Amsler, Sarah (2012) Occupy: a new pedagogy of space and time?. Journal for Critical Education Policy Studies, 10 (2)

In this paper, Neary and Amsler present the ideas and practices of the Occupy movement in terms of its “explicit” pedagogical purpose and intent. In doing so, they formulate Occupy as a prefigurative curricula for the production of a new politics of space and time. They offer Student as Producer and the Social Science Centre, Lincoln, as existing forms of this critical curricula; projects which by altering “the relationships of the production of educational space and time by producing them otherwise… constitute a direct threat to the logics of capital”.

Student as Producer is introduced as a project which is not so much concerned with ‘student engagement’ and ‘student satisfaction’ but rather “the meaning and purpose of higher eduction, or ‘the idea of the university’, as a ‘collective intellectual’ project (Waquant 2007: 57).” (Neary & Amsler 2012: 108)

In the context of Neary’s writing about Student as Producer, the article is important for its critique and development of Lefebvre’s argument that the social relations of capitalist production result in the “violence of abstraction”, and the source of this violence lies in the production of value experienced in the real abstraction of exchange value as revealed by Marx.

“For Lefebvre, the substance of time-space is Marx’s labour theory of value, by which use value is converted into exchange value in a process dominated by both the violence of abstraction and resistance to abstraction, which Lefebvre describes as ‘counter-projects’.” (Neary & Amsler 2012: 118)

The authors are not satisfied with Lefebvre’s argument that the site of resistance to the abstraction of exchange value is in its counterpart: use-value, nor that in contrast to this abstraction, “use value constitutes the only real wealth” (Lefebvre 2008: 341). In essence, the problem for Neary and Amsler is that radical subjectivity is aligned with the production of use-value; that is, ‘concrete’, ‘natural’, ‘material’ wealth. Ultimately, they argue, this is to fetishise the concrete (i.e. use-value) as a form of anti-capitalist resistance. Although widespread, it is a limited theoretical position which in practice

“perpetuates the approach it is attempting to critique … replicating and repeating struggles in more fragmented forms without posing a fundamental challenge.” (Neary & Amsler 2012: 119)

Their argument draws on the work of Moishe Postone, who has argued that this “hypostatisation of the concrete” leads to a sense of helplessness:

“The hypostatisation of the concrete and the identification of capital with the manifest abstract underlie a form of “anti-capitalism” that seek to overcome the existing social order from the standpoint which actually remains immanent to that order’ (Postone 2000: 18).” (Neary & Amsler 2012: 120)

The source of this helplessness can be found in Lefebvre’s privileging of use-value over exchange-value, whereas for Marx, Postone, Neary and Amsler, value should be understood as “value in motion”: “the explosive contradiction between use-value and exchange/abstract value, in a process of commodification dominated by the violence of abstraction.” (Neary & Amsler 2012: 120). Whereas for Lefebvre and other ‘anti-capitalists’ who hypostatise and fetishise one side of the value-form, here the authors argue that surplus-value, “the substance through which the social universe expands” (ibid) can only be “detonated” by over-coming the abstract violence of value through struggle in time and space i.e. “anti-value in motion”.

“And so it becomes possible to conceive of radical subjectivity as being located not in use value, but in the production of new forms of critical knowledge in everyday life, or practical reflexivity. Critical practical knowledge is formed from the same social substance as ‘anti-value in motion’: just as time inheres in space, use value inheres in exchange value, so to does theory inhere in practice as critical reflexivity or living knowledge, including life itself.” (ibid)

What sets apart ‘critical practical knowledge’ from the category of use-value is not entirely clear. Earlier in the paper, they say that

“Our purpose is to re-appropriate (‘detonate’), ‘occupy’, these moments of space-time through ‘a new pedagogy of space and time’, which can be characterised as the production of critical knowledge in everyday life. The basis of this critical knowledge is critical practical reflexivity. Critical practical reflexivity adheres to our space-time formulation in that theory and practice are considered as immanent to each other (Gunn 1989). The essential aspect of critical practical reflexivity is that it questions the validity of its own concepts, which it does by recognising itself as inhering in the practical social world emerging out of, and inseparable from, the society it is attempting to understand. This process is expansive, creating new knowledge and meaning, avoiding circularity and infinite regress: ‘good conversations’ (Gunn 1989).” (Neary & Amsler 2012: 108)

I take it to mean that the power of “critical practical reflexivity” (i.e. negativity) conceived as political struggle, is that which Marx referred to as ‘communism’: “the real movement which abolishes the present state of things” (Marx, 1845) Just as our fetishisation of exchange-value (i.e. money and other ‘rights’ of equivalence) has led to the social and ecological emergencies of the 21st century, so the fetishisation of its dialectical counterpart, use-value, will lead us to similar horrors. The related production of both must be abolished through the conception of a new form of social being – a new “social universe” – based upon the application of social knowledge produced through a new curriculum, which acts “as a pedagogy of space and time”. (Neary & Amsler 2012: 116)

Indeed, following Marx, the authors assert the meaning and purpose of education as the “ruthless critique of all that exists, ruthless both in the sense of not being afraid of the results it arrives at and in the sense of being just as little afraid of conflict with the powers that be” (Marx 1843). This fundamental approach to the production of knowledge, does not allow for the fetishisation of any social form. It is dynamic, reflexive, “anti-value in motion”. (Neary & Amsler 2012: 120)

How can education be constituted in this form? The authors provide the two examples of Student as Producer and, in some ways its development, the Social Science Centre, Lincoln.

Student as Producer is described in terms of its practical implementation at Lincoln and, as is the case of all of Neary’s writing on the subject, it is discussed more broadly and deeply in terms of a political project within the “wider social-political crisis defined by the politics of austerity and precarity”. It is likened to Occupy in a number of ways (Neary & Amsler 2012: 121), for example: it is “a political, progressive project”; it is inspired by the history of radical politics; it “has links with revolutionary educational projects”; it “is framed within a broad idealistic framework”; it is “grounded within an explicit critical pedagogy”; it “is an anti-curriculum…

“whose substance is not simply teaching and learning but the production of knowledge as a revolutionary political project: ‘the theoretical and practical knowledge of social life in the community’ (Lefebvre 1969: 155), or ‘living knowledge’ (Roggoro 2011).” (Neary & Amsler 2012: 121)

Student as Producer is “for the production of new knowledge and not simply as a pedagogical device.” (Neary & Amsler 2012: 122) It is a “framework” in which the curriculum is contextualised; “spatial learning landscapes within which teaching is set” and where “students are made aware of the politics of machinic production”; a “horizontal space within which collaborations can multiply.” (ibid)

In what, I think, is a key passage with which we can contextualise Student as Producer, the authors refer to Merrifield’s work on Lefebvre describing the crisis the university is undergoing:

“Abstract space started to paper over the whole world, turning scholars and intellectuals into abstract labour and turning university work into another abstract space. Suddenly free expression and concrete mental labour – the creation and dissemination of critical ideas – increasingly came under the assault from the same commodification Lefebvre was trying to demystify. Suddenly and somehow, intellectual space – academic and ideational space in universities and on the page – had become another neocolony of capitalism, and scholars at once the perpetrators and victims, colonizers and colonized, warders and inmates” (Merrifield 2011: 119). (Neary & Amsler 2012: 123)

It is against this “turning scholars and intellectuals into abstract labour and turning university work into another abstract space” that is at the core of Neary’s critical project. As the institutional form of the highest achievements of human knowledge, the university is now occupied by capital, subsumed to the logic of value production, a means of production through which labour ‘performs‘ against labour, increasingly alienated from its own product: social knowledge, the general intellect, mass intellectuality.

Neary and Amsler want to take the “territorial” project of occupying space and time with critical reflexive knowledge and turn it into an existential project such that we understand ourselves as the university; we become the resistance to abstract labour and its abstract spaces; we become “collective individuals” that exceed the institutional and idealised form of the university:

“The limit of Student as Producer is that the student does not exceed its own institutional and idealised form: ‘the idea of the student’ (Neary 2010). In order for the student to become more than themselves, the neoliberal university must be dissolved, and reconstituted as another form of ‘social knowing’ (Neary 2011).” (Neary & Amsler 2012: 124)

The last section of the article discusses the Social Science Centre, Lincoln (SSC), as an attempt “to create a new form of social knowing.” (ibid) The SSC is “an emerging educational cooperative that aspires to create opportunities for advanced study and research in the social sciences which are both free of charge, and intellectually and politically democratic.” (Neary & Amsler 2012: 125) It is a formally constituted co-operative, based on non-hierarchical, democratic principles. It is a “protest” an “experiment” in “dissolving higher education into a form of mass intellectuality” (Neary & Amsler 2012: 126, quoting Hall 2011). It has “radical political aspirations”, hoping that “students as scholars become revolutionary social beings within open, socially-driven spaces, rather than becoming institutional agents.” (ibid) For the authors, the SSC as a nomadic co-operative is not simply an attempt to re-order space and time, but

“to create a radical form of space-time by unleashing the social power of humanity locked up in the commodity- form as a way of appropriating the future as something other than crisis and catastrophe (Neary 2004).” (Neary & Amsler 2012: 127)

Whereas Student as Producer “remains committed to working within and against the existing university system in order to transform it”, the SSC,

“although in no way escaping from the institution entirely, seeks to construct spaces, times and relations of learning which are autonomous from the neoliberal university, in opposition to the abstraction of social relations through monetary exchange, and embedded in the everyday life of local communities. Both are ongoing experiments. What resonates between them is an understanding that desires to reinvent the contemporary university for human purposes ‘mean nothing without the production of an appropriate space’ (Lefebvre 2008: 59), and that the production of such spaces – and times, and relationships, and ways of knowing – is ultimately a political project.” (ibid)

This article, more than any other by Neary, develops the political, pedagogical project of Student as Producer as a critique not only of “what the university has become”, but of how our capacity as social individuals has been occupied by the logic of capital and turned into an alien, anti-social power against humanity. On such terms, what possible institutional form could it take? What does it means to be non-alientated labour, to dissolve the dialectic of both use-value and exchange value, to “create a radical form of space-time by unleashing the social power of humanity locked up in the commodity-form”? (ibid) Is the worker co-operative form anywhere near adequate for such a project?

What this article, more than another other by Neary has emphasised, is the need to conceive the neoliberal university as a peculiar expression of commodified space-time. It is an “abstract space” ruled by the logic of abstract labour, whereby the pedagogical relationship between teacher and student is configured for the production of value. An opposing organisational form would seek to overcome the power of these abstractions by, first of all, re-configuring the pedagogical relationship so as to abolish knowledge in its commodity-form (use-value and exchange value).
Education “cannot be separated from ‘life’ in institutions.” I take this to mean that all aspects of the institution must be understood to be educational or pedagogical. Cleaning the floors, teaching, installing IT, etc. The division of this labour in time and space is conceived holistically and materially as having a pedagogical purpose for society, for humanity, as a whole. All aspects of this co-operative production of knowledge are understood as appropriations of space-time thereby gradually overcoming the logic capital.
If we “have rather lost control over the form, structure and function of academic knowledge” (Neary & Amsler 2012: 116), worker co-operatives might be a conscious attempt to assert control, constitute an organisational form, and define a different (i.e. democratic, horizontal, consensus-based) social structure for the production of academic knowledge. The SSC is one such experiment.
If “the space of the university is mobilised for the purposes of production through its commodification, abstracting, converting into exchange value, fetishizing and modularising” (Lefebvre 2008: 338), how can the worker co-operative form resist these imperatives? Is it simply a “diversion” rather than an “appropriation” of a different space and time? (Egan and Jossa provide a preliminary, though not entirely satisfying, indication).
Must a worker co-operative for higher education possess a physical space in time, or can a new space-time be constituted through its legal form and extend to the whole of the “social universe”? If “it’s not about possessing territory. Rather it’s a matter of increasing the density of communes, of circulation, and of solidarities to the point that territory becomes unreadable, opaque to all authority” (The Invisible Committee, quoted in Neary & Amsler 2012: 123-4), can the worker co-operative form be conceived and constituted existentially and ontologically? That is, how can we become the university rather than ‘go to university’?
Student as Producer and the SSC are presented as examples of producing an “appropriate space” for their political objectives. Can the worker co-operative form be employed as an expedient means for the “production of such spaces – and times, and relationships, and ways of knowing”? (Neary & Amsler 2012: 127)

Student as Producer (5)

See an introduction to this series of notes here.

5. Neary, Michael (2012) Student as producer: an institution of the common? [or how to recover communist/revolutionary science]. Enhancing Learning in the Social Sciences.

This is a key paper in Neary’s theoretical development of Student as Producer. In it, he again engages with the work of the Edu-Factory collective, or rather a recent book by one of its main spokespersons, Giggi Roggero, called ‘The production of living knowledge: the crisis of the university and the transformation of labour in Europe and North America‘. Neary also draws on Paul du Gay’s work ‘In praise of bureaucracy‘, which I have found helpful in my exploration of whether the worker co-operative form is suited to higher education. Finally, the paper also explores the history of “revolutionary science”, connecting the 19th c. work of Marx to the work of 13th c. Bishop of Lincoln and first vice-chancellor of Oxford, Robert Grosseteste.

Whereas in an earlier paper, Neary distanced himself from the liberalism of Humboldt, he begins this paper by stating that

“Student as Producer is reclaiming the progressive vision of German Idealists in the 19th century for a liberal humanist university as a site for speculative philosophy, ie a social encyclopaedia of knowledge at the level of society (Lyotard 1984). Student as Producer is grounding this ‘ideal of the university’ in the radicalised student–worker uprisings of 1968 and the ways in which this student protest has re-emerged at the beginning of the 21st century against the privatisation of university life, now packaged as the ‘student experience’ where the most predominant imperative is employability.” (Neary 2012: 2)

He argues that the recent privatisation of higher education in the UK is “nothing less than a reactionary political act of intellectual vandalism and a declaration of war against critique.” (ibid)

“The purpose of Student as Producer is not to maintain higher education as a social science fiction about the struggle over the false dichotomy between its public and private function: after all both are complementary forms of capitalist regulation (Neary 2012a). The aim of Student as Producer is to “dissolve” (Holloway 2010) or better still “detonate” (Lefebvre 1991) the social relation of capital out of which the current version of the university is derived (Neary 2012a), so as to recreate the university as a new form of social institution, what Giggi Roggero calls an “institution of the common” (Roggero 2011).” (Neary 2012: 3)

His engagement with Roggero’s work is very complementary. In particular, he regards Roggero’s chosen method of ‘militant enquiry’ or ‘co-research’ as “fundamentally constitutive, where ‘the production of knowledge is immediately the production of political subjectivity and the construction of organisation.’ (Roggero 2011: 138)”. However, he finds Roggero’s distinction between”‘the commons’ as a resource emerging out of the natural world and the idea of ‘the common’ as something that is socially constructed” problematic in the way that it separates the natural and social world. The issue is grounded in Roggero’s conception of labour as the radical subject in capitalist society. Conceived as such, labour is reified and its activity constitutes the social process that produces ‘the common’, that is “the organization of something that did not exist beforehand, or the new composition of existing elements in a subversive social relationship” (Roggero 2011: 8).”

Neary takes issue with this conception of labour and Roggero’s separation of the natural world (‘the commons’) from the social world (‘the common’). He argues that revolutionary science is, quoting Marx, “one science”.

“This one science, or communism, does not rely on speculative or philosophical solutions, but is a scientific method of enquiry and reason based on an awareness of the historical development of humanity as the alienation from nature (Foster 2000: 114). This alienation can only be overcome through “the significance of revolutionary practical critical activity” (Marx’s theses on Feuerbach, quoted in Foster 2000: 112).” (Neary 2012: 9)

Neary ends his critique of Roggero by relating the “schism” between the natural and social world to the “schism in bourgeois science”, reflected in the schism of subject disciplines within the modern university. On this, says Neary, the “key issue issue for Student as Producer is how the natural and social sciences might be reconnected as a curriculum for practical revolutionary action.” (ibid)

In contrast, Neary draws inspiration from Paul du Gay’s work on bureaucracy in his attempt to counter the understanding of Student as Producer as a “change management project”, where students are conceived as “change agents”. (Neary 2012: 4)

“change management sets itself firmly against bureaucracy, which is characterised in the change management literature as red tape, procrastination, indecision, big government, the nanny state and a tendency towards indolence (Du Gay 2000).”

The world of change management is epitomised by Drucker’s (1993) new role model of labour as the ‘knowledge worker’ whose necessary but antagonistic form is the ‘service worker’, both educated persons divided into intellectuals and managers, respectively. Neary argues that the underlying ethic of the ‘knowledge economy’ and the university as a “knowledge factory”is that of the market and the idea that organisations have to become increasingly entrepreneurial and innovative in order to survive.

In opposition to the imperatives of “change management”, Neary explores Paul du Gay’s work on bureaucracy as “a set of protocols and processes grounded in a set of morals and ethics that are highly valued in our society” (ibid). Following the work of Max Weber, bureaucracy for du Gay is

“a site of substantive ethical domain” (Du Gay 2000: 2) and “a particular ethos … not only an ensemble of purposes and ideals within a given code of conduct but also ways and means of conducting oneself … the bureau must be assessed in its own right as a particular moral institution and the ethical attributes of the bureaucrat be viewed as the contingent and often fragile achievements of that socially organised sphere of moral existence” (Du Gay 2000: 4). In this way, the bureaucratic environment contains its very own rationality and sense of purpose (Du Gay 2000: 75).” (Neary 2012: 4-5)

With this, Neary argues that the “repurposing” of bureaucracy could lead to

“a rational, moral and ethical principle a clear intent to collectively and democratically deconstruct the role of vice-chancellors as the charismatic leaders on whose vision the future prosperity and reputation of the entrepreneurial university appears to depend (Goodall 2009).”

At Lincoln, Student as Producer,

“creates a radical framework for debates and discussion about policy and strategy for teaching and learning across the university, based on a radicalised political vernacular. Given the extent to which the language of managerialism has overwhelmed the discourse of higher education, this is no mean achievement.” (Neary 2012: 6)

As such, it is a “subversive” project based on values and ethics that “have not had to be reinvented but are conjured out of the activities of academic workers at Lincoln and elsewhere.” It is subversive because it

“starts with a negative critique of higher education based on the dysfunctionality of its core activities, teaching and research, where the priority and status given to research divides institutions, and sets staff and student against each other (Boyer 1990; Brew 2006) This negative critique forms the basis of Student as Producer’s attachment to the notion of research-engaged teaching (Jenkins and Healey 2009): re- engineering the relationship between teaching and research so that undergraduates become part of the academic project of the university. This is how subversion works, by using the language and protocols of the enterprise university against itself…

This subversive ethic and academic-valued approach is written into the bureaucratic framework for teaching and learning at the University of Lincoln, through its teaching and learning strategy, and in the documentation for staff and students that shapes the protocols and procedures for quality validation, monitoring and reporting procedures, including the Student as Producer user guide.

The problem is how to maintain subversion in a context in which student as consumer is the operational imperative among providers of higher education. Part of the answer to that question lies in constantly radicalising the practice and principles of Student as Producer to avoid recuperation” (Neary 2012: 7)

The final section of the paper represents one attempt to radicalise Student as Producer through the idea and practice of “one science”. Neary presents this by connecting the scientific method of Marx and Grosseteste through the work of Aristotle. Neary describes Grosseteste as “a key figure in the development of the method of experimental science through practical applications and as being central to the creation of the modern university (Southern 1992; McEvoy 2000).” (Neary 2012: 11) The point Neary wants to make here is that the origins of the scientific method were disruptive, subversive, and indeed revolutionary and that they were so because figures like Grosseteste and Marx did not distinguish between the natural and liberal social sciences (e.g. economics, philosophy, sociology) and each made connections between the inductive and deductive methods of Aristotle. They were fixed on the idea of “one science” which, through the power of abstract thought grounded in the real world, they aimed to discover the “substantive matter” of their respective social worlds i.e. one governed by the Divine and the other by Capital. For Grossteeste, this substantive matter was God as the “divine light” and for Marx, Neary argues, it was found in the concept of ‘capital’, which he presented as a “unifying logic for the expansion of value”. In place of Grosseteste’s metaphysics, Marx’s historical materialist method discovered capital as “the automatic subject” of human society. Through his exposition of capital, “Marx’s most important discovery is that the crisis of capital is the power of humanity reasserting itself and recovering the natural world.” (Neary 2012: 12) This is an important point that Neary picks up in a later paper where he discusses the work of John Holloway in the context of Student as Producer.

Neary ends the paper with a “research question”:

“A key point for the students and academics to consider is the extent to which revolutionary science is undermined by a scientific enterprise based not on the development of knowledge but rather the development of academic capitalism (non-revolutionary science). In order to recover the substance of communist revolutionary science, it is necessary to reinvent the ideal of the university on the principles of revolutionary science. How can we redesign the idea of the university to enhance and support this vision of revolutionary science? This is the main point and purpose of Student as Producer.” (Neary 2013: 12)

From this paper, we can draw out the following points so as to help determine the institutional form for a university, “reinvented” on the “principles of revolutionary science.”

It is fundamentally a political project. Political subjectivity is “the essential objective reality out of which practical, critical knowledge is derived.” The institutional form itself support (i.e. be partisan to) this political project.
Bureaucracy is valued as a moral and ethical process which does not exist independently of the political project but guards its constitution.
It exists for knowledge and against the “knowledge worker”.
It uses the language and protocols of the university subversively (i.e. as a way to ‘interoperate’ with the neoliberal university, the State, markets, etc.) without taking on its form.
It recognises that “the production of knowledge is immediately the production of subjectivity and the construction of organisation.” (Roggero 2011: 138) The institutional form is therefore constructed from the subjectivity of its members, which is formed through the co-operative, social production of knowledge.
It attempts to overcome labour in its capitalist form, which is a “fabrication” of the social relations of capitalist production. “Labour, as such, does not exist but is constituted only as a real abstraction.” (Neary 2012: 9) The issue for the worker co-operative is to discover a way to practice non-alientated, non-abstract labour. This is at the heart of its research project: the discovery of a new form of social being.