Joss Winn

Open data and the academy: an evaluation of CKAN for research data management

This paper offers a full and critical evaluation of the open source CKAN software for use as a Research Data Management (RDM) tool within a university environment. It presents a case study of CKAN’s implementation and use at the University of Lincoln, UK, and highlights its strengths and current weaknesses as an institutional Research Data Management tool. The author draws on his prior experience of implementing a mixed media Digital Asset Management system (DAM), Institutional Repository (IR) and institutional Web Content Management System (CMS), to offer an outline proposal for how CKAN can be used effectively for data analysis, storage and publishing in academia. This will be of interest to researchers, data librarians, and developers, who are responsible for the implementation of institutional RDM infrastructure. This paper is presented as part of the dissemination activities of the Jisc-funded Orbital project.

Download the paper.

Writing, craft and method: Postone’s Notes on the German Reaction to ‘Holocaust’

Anti-Semitism and National Socialism: Notes on the German Reaction to “Holocaust” (PDF)

I have read Moishe Postone’s article a number of times. Today, I sent it to a friend with the following message:

A bit off the wall, but I’ve attached one of my favourite articles. There’s probably a time and a place to read it and it may not be now. When it was first pointed out to me, I just didn’t get the significance of the argument, and very importantly, the *method* of argument. Having read it a few times now, I think it’s the work of genius.

In a profound and sophisticated way, it takes a general response to the film, ‘Holocaust’, and uses that moment in German popular culture to elaborate a critique of capitalism which offers an explanation for anti-semitism. The way Postone, the author, unravels his argument not only provides a superb discussion about the essence of capitalism vs its manifest form in anti-semitism, but also provides a structure for the critique of other manifest forms of capitalism. e.g. higher education, or whatever.

The article I am currently writing has been through four different drafts, each no less unsatisfactory as the last. As it currently stands, the article is much too long and in my historical discussion, I have so far been unable to move away from simply offering information (events, people, places), rather than an adequate explanation. This is a point that Postone makes about the media’s response to the film, Holocaust (1978).

The weaknesses of the understanding of anti-Semitism outlined above emerged with particular clarity in the discussions on the “Holocaust” film held after each showing on West German television. The panel members were at their best when presenting information: conditions in the concentration camps; the activities of the Einsatzgruppen and their composition (police as well as SS units); the mass murder of Gypsies; and the material difficulties and extent of Jewish resistance. They were at a loss, however, when they attempted to explain the extermination of European Jewry. (p. 98)

Working on the fifth draft of my paper, I have returned to Postone’s article once again to remind myself of his method here, which is one of the rare times (the only time?) that he has systematically applied his reading of Marx’s critique of capitalism to a historical event. Here, I want to examine the structure of his article in sufficient detail so as to borrow this methodological approach in my own article on the history of hacker culture and higher education.

The article is formally structured in five parts, which can be summarised as follows:

A general introduction, providing context to the film and the popular reaction in West Germany, pointing out the weaknesses of that response. (97)
A critical summary of the German New Left’s response to Nazism, National Socialism and the Holocaust. Argues that the past has been repressed. (100)
The main body of his argument. Argues against a functionalist explanation of the Holocaust e.g. anti-Semitism as a form of prejudice, xenophobia and racism. Argues the need for “qualitative specificity” rather than generalised explanations (105). Distinguishes between anti-Semitism, anti-Jewish prejudice and Nazism. Begins to introduce the concept of abstraction. Argues that modern anti-Semitism attributes an “intangible, abstract and universal” power to the Jews (106). Aims to unite a socio-historical analysis of Nazism with an examination of anti-Semitism i.e. the concrete and abstract; a “historical-epistemological frame of reference.” Sets up objective in his own method: an explanation of anti-Semitism “in terms of socio-historical epistemology.” (107) Offers summary of where he is taking the argument: “a careful examination of the modern anti-Semitic worldview reveals that it is a form of thought in which the rapid development of industrial capitalism with all of its social ramifications is personified and identified as the Jew… In other words, the abstract domination of capital, which – particularly with rapid industrialisation – caught people up in a web of dynamic forces they could not understand, became perceived as the domination of International Jewry.” (107) Returns his argument to the distinction between substance and form, essence and abstraction: “the distinction between what modern capitalism is and the way it appears.” (108) Compares abstract attributes of anti-Semitism to characteristics of the value form as analysed by Marx: value and use-value. Moves into a “brief analysis of the way in which capitalist social relations present themselves” (109). Proceeds with a discussion of the commodity form, the dialectic of its double character: money/value and commodity/use-value. Elaborates theory of commodity fetishism and extends it to epistemology (cf. Sohn-Rethel?). Substantiates this theoretical discussion with brief indication of historical examples. Leads to argument that the Jews became the personifications of capital rather than merely representations of it; the “biologisation of capitalism”. The ‘anti-capitalism’ of National Socialism was expressed as anti-Semitism. “The overcoming of capitalism and its negative social effects became associated with the overcoming of the Jews.” (112)
A very brief section discussing “why the biological interpretation of the abstract dimension of capitalism found its focus in the Jews.” (112) Offers historical explanation but focuses on the dialectic between the state and civil society – the individual as citizen and person, as an abstraction and as a concrete human being. “The only group in Europe which fulfilled the determination of citizenship as a pure political abstraction, were the Jews following their political emancipation. They were Germans or French citizens but not really Germans or Frenchmen. They were of the nation abstractly, but rarely concretely… In a period when the concrete became glorified against the abstract, against ‘capitalism’ and the bourgeois state, this became a fatal association.” (113)
The final section concludes the article by summarising how “modern anti-Semitism… is a particularly pernicious fetish form.” (113) There is a very striking paragraph which argues that just as the capitalist factory is where value is produced, the extermination camp is its grotesque negation. “Auschwitz was a factory to ‘destroy value,’ i.e. to destroy the personifications of the abstract. “Its organization was that of a fiendish industrial process, the aim of which was to “liberate” the concrete from the abstract. The first step was to dehumanize, that is, to rip the “mask” of humanity away and reveal the Jews for what “they really are” – “Musselmanner,” shadows, ciphers, abstractions. The second step was then to eradicate that abstractness, to transform it into smoke, trying in the process to wrest away the last remnants of the concrete material “use-value”: clothes, gold, hair, soap.” (114) Finally, Postone ends by looking forward and cautioning the Left against pursuing

Any “anti-capitalism” which seeks the immediate negation of the abstract and glorifies the concrete – instead of practically and theoretically considering what the historical overcoming of both could mean – can, at best, be socially and politically impotent in the face of capital. At worst it can be dangerous, even if the needs it expresses could be interpreted as emancipatory.

The article warrants a very close reading – much closer than I have offered here, where I am more interested in understanding how Postone makes his argument, than what his specific object of investigation is.

In summary, the articles proceeds as follows: introduction > critical review > development of theoretical argument grounded by historical example > broad justification for preceding argument > conclusion and way forward. Section three is clearly the most substantive section and in essence it employs Marx’s examination of commodity fetishism and his labour theory of value in Capital Vol. 1, Chapter 1, to provide the analytical tools for a socio-historical and epistemological explanation of the Holocaust.

Student as Producer is hacking the university

With Dean Lockwood

This chapter discusses the Student as Producer project at the University of Lincoln and provides two case studies of how Student as Producer is infiltrating quite different areas of university life. The first discusses Student as Producer in the context of Deleuze and rhizomatic curriculum design, while the second looks at how the project is being applied to the development of an open institutional infrastructure, in which Computer Science students are redesigning and developing the tools used for research, teaching and learning.

Published in Rethinking Pedagogy for a Digital Age

Download a pre-print of this chapter. It is partly based on a case study I wrote for JISC.

Making sense of things: A PhD by Published Work

At this time of year we have our annual appraisals, which involves looking back on what personal and professional objectives I set myself for last year. One of those ambitions was to work towards submitting a ‘PhD by Published Work’ in 2014. In that respect, I think I’ve failed to really complete anything substantial. In the last 12 months, I have spent most of my time running JISC-funded projects ¹ and, related to that, trying to develop the LNCD group here at Lincoln. It is good work, and I enjoy it, but unlike most academics who receive funding for research and/or development, I am not that interested in writing papers about the work I do day-to-day. Technology related projects, such as those funded by JISC, produce lots of academic, peer-reviewed papers, but it has never occurred to me to write about this side of my work in a systematic way. Perhaps this was because I joined the university having been an Archivist and Project Manager elsewhere, and outside academia, the accomplishment of the project is itself the objective and writing up papers doesn’t really factor into the work. Also, the projects I run day-to-day, while I enjoy them and think they are of value, don’t provide me with any sense of meaning or purpose in the world, which is the reason why I entered higher education as an undergraduate and post-graduate student. It has never occurred to me that my vocation and my efforts in higher learning, should or would ever coincide until a year or so ago when I was offered a permanent academic contract at Lincoln, rather than the fixed-term, non-academic contracts I had been on. Being ‘an academic’ is quite unique in that it does combine a lifetime of higher learning with a vocation, something I have been slow to put into practice over the last year.

I need to get out of this habitual way of thinking and start to make direct connections with my day-to-day work and my intellectual aspirations, eventually completing a PhD. It is not easy and I would appreciate any advice you might have. Looking over my blog this morning, of the 209 posts I’ve written since April 2008, I have categorised 58 of them being related to what I want to pursue for my PhD. Doing this has allowed me to try to find some sense of coherence to my work, which I will outline here for my own benefit and perhaps even for your interest.

The first period of those posts covers the time I spent thinking and writing about ‘resilient education‘ with Richard Hall. It began with a failed bid to JISC around business continuity within HEIs in the face of an energy crisis. One question that framed our work at this time was, “What will Higher Education look like in a 2050 -80% +2c 450ppm world?” Over a number of blogs posts, face-to-face conversations, workshops, a conference paper and, eventually a journal paper, we both felt that the imperative of economic growth and therefore the social relations of capitalism are the root cause of the crises we face in society and therefore in higher education, too. It was through conversations with my colleague Prof. Mike Neary, that I began to shift from viewing this problem as technological, economic and cultural, to one that is fundamentally historical and political. At first, I was drawn to ideas that have circulated for some time among environmentalists and ‘ecological economists’, such as that of a non-growth-based ‘Steady State’ economy and the work of the Transition movement. However, I remained unsatisfied with these liberal solutions to liberal capitalism. ² Of course, such approaches have some practical merit, but I soon found them intellectually impoverished compared to the approach of critical political economy.

The most challenging, stimulating and useful scholarship I have read over the last couple of years has been by writers in the Marxist tradition of critical political economy: Writers such as Simon Clarke, Moishe Postone, Mark Neocleus, Harry Cleaver, and Mike Neary have provided me with a radically different way of understanding the world and the challenges society and therefore higher education faces. So far, I have attempted to use the methodological tools provided by this critical, scholarly tradition in one book chapter, which I remain dissatisfied with but nevertheless see it has a building block to something more mature. That piece of writing was, if you like, my research output from the ChemistryFM OER project that I ran. As well as my article with Richard Hall, I also co-authored an article with Mike Neary, both of which could be seen as a critique of my work on that OER project.

In terms of scholarly progress, I see now that the article I wrote with Richard Hall was the culmination of a period trying to address the first ‘research question’ of ‘What will Higher Education look like in a 2050 -80% +2c 450ppm world?‘ By the time the article was written (and certainly by the time it was published), we had both moved on and in my book chapter and article with Mike Neary, I was trying to critique the approach that Richard and I had taken in the earlier article, which makes a case for open education as an approach to developing a ‘resilient education’. Today, I do not think that openness as it is commonly understood and practised, will re-produce a more resilient, sustainable higher education as we commonly understand and practise it. There is much more to be said about this and in doing so, I shifted my emphasis to thinking about what openness means and how it is practised inside and outside higher education. One of the earliest and most influential expressions of openness can be found in hacker culture.

During this period (the last year or so), I have been interested in hackers, hacking and how student hackers can re-produce the university. One of the reasons I made this shift was because in my work day-to-day, I was managing JISC-funded technology projects and, influenced by Mike Neary’s work on Student as Producer, I was employing students and recent graduates to work with me on these R&D projects. During the course of this work, I was also appealing to university management to support a more formal collaboration among different departments at the university, which focused on the role of students in re-producing the university through their work on technology projects. The result of those committee papers and discussions was LNCD. Working closely with student hackers and more closely with the university developer community in general, I began to think about the history and practise of hacking. This work is on-going as I sketch out ideas on this blog. I began with a simple proposal that we should understand hacking as an academic practice, or rather as a development of the academic tradition. I developed this a little further in a short article for the Guardian, which reflected on hacking, Student as Producer and a student hacker conference that we organised at Lincoln with the DevCSI project, called DevXS.

The JISC projects, LNCD, the reflections on hacking and the DevXS conference were then written up in a case study commissioned by JISC on ‘institutional approaches to openness‘. The case study was called ‘Hacking the University’ and a similar version of it, along with an additional section by my colleague Dean Lockwood, will be published in a book next month.

As I continued in this vein, I began to think about hacking as both learning and as labour and tried to articulate this in a couple of blog posts about learning a craft and the university as a hackerspace. At that time, I thought that one intervention that I might make at Lincoln in trying to get students to challenge and re-produce ‘the university’ as an idea as well as a living institution, was to develop a course based on the model of hackerspaces and examine the work of hackers pedagogically in terms of a craft. I was also thinking about how funders like JISC could support this approach, too. This led me to look at popular models of funding, such as the ‘angel investment’ of Y-Combinator, which I am beginning to tie back into the history of hacking and the origins of venture capital in US universities. My two most recent posts in this area (here and here) have been sketches for an article I intend to write on the role of universities in the development of hacker culture. It’s only once I have examined and critiqued this aspect of hacker culture history that I feel I can move on to more substantive and specific questions relating to hacking, openness and freedom, and the relationship between students, universities and venture capital in producing a new form of vocationalism within higher education.

This is likely to form the major part of my PhD by publication but despite writing long reflections on this blog, it does not amount to anything that I can readily submit for the PhD. I have also neglected to apply any methodological critique to my recent writing about hackers and hacking and need to return to the central categories of Marx: e.g. value, fetishism, class struggle, alienation, each of which I see as central to the re-production of the work of hackers and hacking and therefore the role of the university.

I also feel that I am currently a long way from reconciling the projects that I do day-to-day and the critique of political economy that I have started. Last week, for example, I had a conference paper proposal accepted on an evaluation of CKAN for research data management. On the face of it, this paper would normally be a fairly straightforward critical appraisal of a piece of software and for the conference that is what I intend to write. But I know that I should take the opportunity to develop the paper into something more intellectually substantive and incorporate it into a negative critique of openness, open data and university research culture. Whatever I end up writing, I am going to ensure that from hereon, my time is spent bringing my writing together into a coherent PhD submission in two or three years time.

Finally, if you are interested, here is the section of university guidance that deals with ‘PhD by Published Work’ (PDF). There are a number of things I have to do between now and my submission, not least keep writing, but also seek clarification around the meaning of ‘a substantial contribution to the academic endeavour of the University’. Co-authored outputs are permissible, but I need to be much clearer on what the Faculty Research Degrees Board expect to be included. At the moment, I am assuming that only my book chapter on OER is submissible as part of the PhD. Not only that, but it is the only piece of writing that approaches the standard of intellectual work that I think I would want to submit. Of course, I could be persuaded otherwise… Nevertheless, I think I need to have four more pieces published in order to submit the PhD, as well as writing a a 5-10,000 word commentary. Expect updates on this blog as I work towards this and thanks for any advice you can offer.

Open education. From the freedom of things to the freedom of people

In this book chapter I offer a critical analysis of Open Education, a growing international movement of educators and educational institutions who, through the use of the Internet, seek to provide universal access to knowledge. The purpose of this analysis is to examine the production of value through technological virtuality, in the concrete labour process of teaching and learning.

Published in Towards Teaching in Public: Reshaping the Modern University

Download the full chapter

Hacking the Academy

By Joss Winn and Mike Neary

Did you notice anything strange about the ongoing ‘phone hacking’ scandal involving the News of the World? There are no hackers involved. This is the latest example of hacking’s troubled history with the mainstream media, which confuses the “playful cleverness” of expert computer programmers with the malicious meddling of computer crackers and criminal journalists. With the repeated confusion of Hackers with Crackers and old Hacks, the rich and fruitful history of the true Hackers is diminished and a thriving intellectual culture focused on problem solving, self-directed learning and the free exchange of knowledge is undermined.

Much has been written about hackers and hacking, but rarely is it contextualised as part of the scholarly tradition. Yet careful reading of the history of hacking reveals that it is very much a part of the work and values of universities and that the ‘hacker ethic’ is shared, in part at least, by most academics working today.

We can trace the history of hacking back to MIT University in the early 1960s and greater access to shared computers. At the core of hacking is the academic practice of ‘peer review’: the opportunity for academics to closely examine, modify and use other people’s work. Hackers extended this through the creation of legal licenses that allow the copyright holder of software to grant anyone the ability to use, modify and re-distribute their work providing the modified version is licensed under the same terms. The great MIT hacker, Richard Stallman called this hack ‘Copyleft’ and his General Public License (GPL) has become the most popular open source software license in use today. In 2001, Stanford Law Professor, Lawrence Lessig founded Creative Commons, an organisation that borrowed much from these ‘free software’ licenses to create a set of similar licenses for other types of creative works. The activity of hackers have provided academics and their institutions with the legal basis upon which to overcome the traditional restrictions of copyright and permit the public use, modification and redistribution of research articles, research data and teaching materials.

Out of this novel reconfiguration of property rights, hackers have collaboratively developed the basic infrastructure of the Internet; not only a technological achievement but, for some, a progressive political project based on the common values of autonomy in choosing one’s work, an enthusiasm for problem-solving that borders on play, a reverence of peer-review, expertise as the basis of meritocracy, and the defence of access to information.

This ‘hacker ethic’ can similarly be seen among academics today who fight for Open Access to peer-reviewed articles and those teachers who form the growing Open Educational Resources movement, dedicated to providing teaching and learning materials for free, worldwide public use. Not surprisingly, both the Open Access and Open Education movements owe much to Stallman and other pioneering hackers who developed the GPL and similar ‘open source’ licenses. Unquestionably, the history of Open Access and Open Education is deeply indebted to the culture of hacking, yet we should not forget that the history of hacking is deeply rooted in the culture of the university.

At the University of Lincoln, the values of hacking are embedded within Student as Producer, an institution-wide project for curriculum development where students are regarded as part of the academic project of the university. We are keen to reclaim and reconnect the values of openness and collaboration that hackers are well regarded for with the values of the academy and are doing so by bringing students into the research project of the university itself. At Lincoln, undergraduate student hackers have been working on real research and development projects with university staff and contributing to the development of a culture of openness and innovation.

To further recognise this and encourage collaboration with student developers in the design of university life, we have been working with the DevCSI project at the University of Bath to organise DevXS, a free national student developer conference to be held at the University of Lincoln in November 2011.

We are expecting 150 undergraduates from across the country will attend DevXS to develop prototype open source web applications using open data provided by the University of Lincoln and other universities working on an anticipated data.ac.uk initiative. DevXS is intended to be a disruptive learning experience, a pedagogical intervention for students who want to hack and build useful things that enrich academic life. Students from across the UK and beyond are invited to compete against each other and the clock to create new web applications in a unique student developer ‘hackathon’. Working in teams, they will be provided with high-speed Internet, refreshments and tools to play with. They will break only to eat, sleep and take in encouragement from more experienced hackers. Prizes will be awarded for the most imaginative and useful new applications. Promising prototypes could ultimately be refined into fully-fledged services.

It is the latest example of how the University of Lincoln has embraced the different themes of openness, such as open source, open data, open education and open access, and we are mindful that this contributes towards a greater strategic priority of re-configuring the nature of teaching and learning in higher education and encouraging students to become part of the academic project of the University and collaborators with academics in the production of knowledge and meaning.

Questioning Technology in the Development of a Resilient Higher Education

With Richard Hall

This article considers the impact that peak oil and climate change may have on the future of higher education. In particular, it questions the role of technology in supporting the provision of a higher education which is resilient to a scenario both of energy depletion and the need to adapt to the effects of global warming. One emerging area of interest from this future scenario might be the role of technology in addressing more complex learning futures, and more especially in facilitating individual and social resilience, or the ability to manage and overcome disruption. However, the extent to which higher education practitioners can utilise technology to this end is framed by their approaches to the curriculum, and the sociocultural practices within which they are located. The authors discuss how open education might enable learners to engage with uncertainty through social action within a form of higher education that is more resilient to economic, environmental and energy-related disruptions. It asks whether more open higher education can be (re)claimed by users and communities within specific contexts and curricula, in order to engage with an increasingly uncertain world.

Download the full chapter

Wikileaks and the limits of protocol

In this chapter, I reflect on Wikileaks and its use of technology to achieve freedom in capitalist society. Wikileaks represents an avant-garde form of media (i.e. networked, cryptographic), with traditional liberal values: opposing power and seeking the truth. At times, http://wikileaks.org appears broken and half abandoned and at other times, it is clearly operating beyond the level of government efficiency and military intelligence. It has received both high acclaim and severe criticism from human rights organisations, the mainstream media and governments. It is a really existing threat to traditional forms of power and control yet, I suggest, it is fundamentally restrained by liberal ideology of freedom and democracy and the protocological limits of cybernetic capitalism.

Published in Face the Future: Tools for the Modern Media Age. The Internet and Journalism Today.

Download this chapter.

Amateur and avant-garde film

It occurred to me that the work I did during my MA in Film Studies and Archiving (University of East Anglia 2001-2) might be of interest to someone.

My reason for undertaking the MA derived from my interest in amateur and avant-garde filmmaking. During 1998-2001, I lived in Japan and spent much of my spare time (and money), shooting Super 8mm and 16mm film (mainly landscapes and abstractions) and exhibiting international exchanges of European, North American and Japanese experimental film and video. I’ve never been interested in filmmaking as a career, but thought that working in film preservation and archiving would allow me to make a living out of a love for non-commercial filmmaking. With that in mind, here are the outputs of my MA.

Amateur Filmmaking During World War II

In my first paper for the MA, I discuss the dilemma of amateur filmmaking during war time, based on a study of original books and magazines from the 1930s and 1940s. In the second part of the paper, I draw heavily on my extended interviews with Dick Brandon, a soldier and amateur filmmaker during WWII. The paper lacks any critical theoretical method but offers a useful study of primary sources.

Amateur filmmaking during WWII

Site/Sight: Landscape and the Development of the Tourist’s Gaze in Early Travel Films

In my second paper for the MA, I discuss the development of amateur films within the context of early tourism. Specifically, I examine the broader development of commercial image making since the 18th c. and show how amateur travel films were simultaneously influenced by commercial, popular tourism and and its relationship with landscape painting and photography. I argue that “representationally, they add little to a notion of Englishness rooted in the landscape that wasn’t already well established and I am much more inclined to see them as commercial products which benefited from and contributed towards forms of economic and cultural consumerism.” I try to show how the production of amateur travel films was tied to the production of mass tourism, both of which are based on consumerism and the consumption of the immaterial. The paper draws on critical theory, secondary historical sources and my primary analysis of films held by the East Anglia Film Archive. Looking back at this paper now, I think that with the benefit of peer-review, this paper could be turned into a published journal article.

Site/Sight: Landscape and the Development of the Tourist’s Gaze in Early Travel Films

An Ecology of Images

Our end of year project was to make a short documentary which related in some way to the themes of archiving, preservation, conservation, etc. Some people made nice, straightforward documentaries about a given subject. I had a bunch of 16mm and 8mm footage that I shot during a trip across the USA (2000) and living in Japan (1998-2001) and used that to make a short film about history and memory.

I was heavily influenced by the narrative style of Chris Marker’s film, ‘Sans Soleil’ (my favourite film). The title is from Susan Sontag’s ‘On Photography’. I was reading John Berger’s ‘Ways of Seeing’ at the time, too…

The script is a blend of my own thinking at the time but also paraphrases Marker, Berger and Sontag considerably. The music uses bits and pieces by John Cage.

I was very proud of this when I finished it. Eight years on, I still quite like it.

Preserving the Hand Painted Films of Margaret Tait

In my dissertation, I discuss a small amount of the work of Margaret Tait. The Introduction offers a personal discussion on the profession of Archiving which I revisit in my conclusion. Section One provides a general overview of Margaret Tait’s life and influences. This brief biographical information serves as a background for the more substantial technical discussion in Section Two.

Though I do enjoy Tait’s films and find her work compelling, I should emphasise that I am not concerned with providing a critique of Margaret Tait’s films nor a complete overview of her life and work. I deem that to be a quite different paper and one I am not interested in writing. My main purpose here is to trace the technical developments Tait made in her filmmaking and show how an understanding of her practices can help in the restoration and preservation of her films. I hope this paper also demonstrates that the biographical is inseparable from the technical and for the Archivist, these two approaches to Tait’s work are again inseparable from the ethical and philosophical dimensions of the idea of permanence.

Preserving the Hand Painted Films of Margaret Tait

Further reading: